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Matthew Barney the 45 year old American artist who works in sculpture, photography, drawing and film, whose early works combined sculptural installations with performance and video has been featured by Carol Vogel in a New York Times article titled ‘Matthew Barney Heads to the Morgan Library’. Vogel states “…Barney, an artist with a cultlike following… fashions his sculptures out of unusual materials like tapioca (dumbbells) and petroleum jelly (a weight bench). His drawings are the least known of his works. But to a place like the Morgan they are also the most intriguing. “There will be many people who will be surprised to see a Matthew Barney exhibition here,” said William M. Griswold, the museum’s director. “But his drawings are central to what we do. Many of them explore aspects of his technical innovations and his process, which makes a show like this ideal. For many people it will be a real revelation.” …It is the first museum retrospective devoted to Mr. Barney’s drawings and will consist of about 100 works. They range from the late 1980s, when he was still an undergraduate at Yale University, to those he created in conjunction with his five-part “Cremaster” film cycle, produced between 1994 and 2002, to his current project, “River of Fundament,” his film and live performance collaboration with the composer Jonathan Bepler that was inspired by Norman Mailer’s novel “Ancient Evenings.” Loans for the exhibition are coming from museums here and in Europe as well as from private collections. Besides the drawings… the show will include some of Mr. Barney’s storyboards. To show the kinds of myths and legends that inspire his work he has chosen books and manuscripts from the Morgan’s own collection, like a 2,000-year-old Egyptian Book of the Dead, a medieval zodiac and a copy of Walt Whitman’s “Leaves of Grass.”  Inspired by Carol Vogel, New York Times ow.ly/iqW6r Image source Wikipedia ow.ly/iqVZF An artist with a cultlike following (March 24 2013)

 

Matthew Barney the 45 year old American artist who works in sculpture, photography, drawing and film, whose early works combined sculptural installations with performance and video has been featured by Carol Vogel in a New York Times article titled ‘Matthew Barney Heads to the Morgan Library’. Vogel states “…Barney, an artist with a cultlike following… fashions his sculptures out of unusual materials like tapioca (dumbbells) and petroleum jelly (a weight bench). His drawings are the least known of his works. But to a place like the Morgan they are also the most intriguing. “There will be many people who will be surprised to see a Matthew Barney exhibition here,” said William M. Griswold, the museum’s director. “But his drawings are central to what we do. Many of them explore aspects of his technical innovations and his process, which makes a show like this ideal. For many people it will be a real revelation.” …It is the first museum retrospective devoted to Mr. Barney’s drawings and will consist of about 100 works. They range from the late 1980s, when he was still an undergraduate at Yale University, to those he created in conjunction with his five-part “Cremaster” film cycle, produced between 1994 and 2002, to his current project, “River of Fundament,” his film and live performance collaboration with the composer Jonathan Bepler that was inspired by Norman Mailer’s novel “Ancient Evenings.” Loans for the exhibition are coming from museums here and in Europe as well as from private collections. Besides the drawings… the show will include some of Mr. Barney’s storyboards. To show the kinds of myths and legends that inspire his work he has chosen books and manuscripts from the Morgan’s own collection, like a 2,000-year-old Egyptian Book of the Dead, a medieval zodiac and a copy of Walt Whitman’s “Leaves of Grass.”

 

Inspired by Carol Vogel, New York Times ow.ly/iqW6r Image source Wikipedia ow.ly/iqVZF

Asim Waqif the 34 year old Indian video and documentary artist whose projects have attempted a crossover between architecture, art and design has been featured by Gayatri Rangachari Shah in an article for the New York Times titled ‘Indian Artist Looks to Bring Works to the Everyman’. Shah states “…with his elaborate sculpture "Bordel Monstre," at the Palais de Tokyo in Paris … Waqif, a former architect, said he felt limited designing within the confines of an office, and about seven years ago he started producing avant-garde installations …has used unconventional material, weaving debris — like discarded wood panels, wiring, plastic waste, metal and dry waste — into an elaborate, interactive sculpture. The 34-year-old multidisciplinary artist described the exhibit as a “means of making people aware of their own movement, to take into account an element of risk in their lives, of being careful and conscious.” In an effort to stimulate all five senses, he built mechanical pedals and electronic panels into the mazelike structure so that spectators could actively engage with the work. “People will be actors in the work, which includes light and sound,” said the show’s curator, Daria de Beauvais, by telephone. “It will be a unique experience for the audience because they will be able to hear, see, walk, feel and smell the work.” “Bordel Monstre” is the culmination of Mr. Waqif’s fall residency in Paris, which was supported by SAM Art Projects, and is the first exhibition to be displayed in the recently expanded Palais’s Music Temple room, a space originally dedicated to creating electronic music. Describing the large room as “challenging to work in,” Ms. Beauvais said she was impressed by the artist’s ability to make it his own. “The way some people work with canvas, Asim works with space”.” Inspired by Gayatri Rangachari Shah ow.ly/gdOGc image source SamArtProjects ow.ly/gdOCp In an effort to stimulate all five senses (December 30 2012)

Asim Waqif the 34 year old Indian video and documentary artist whose projects have attempted a crossover between architecture, art and design has been featured by Gayatri Rangachari Shah in an article for the New York Times titled ‘Indian Artist Looks to Bring Works to the Everyman’. Shah states “…with his elaborate sculpture “Bordel Monstre,” at the Palais de Tokyo in Paris … Waqif, a former architect, said he felt limited designing within the confines of an office, and about seven years ago he started producing avant-garde installations …has used unconventional material, weaving debris — like discarded wood panels, wiring, plastic waste, metal and dry waste — into an elaborate, interactive sculpture. The 34-year-old multidisciplinary artist described the exhibit as a “means of making people aware of their own movement, to take into account an element of risk in their lives, of being careful and conscious.” In an effort to stimulate all five senses, he built mechanical pedals and electronic panels into the mazelike structure so that spectators could actively engage with the work. “People will be actors in the work, which includes light and sound,” said the show’s curator, Daria de Beauvais, by telephone. “It will be a unique experience for the audience because they will be able to hear, see, walk, feel and smell the work.” “Bordel Monstre” is the culmination of Mr. Waqif’s fall residency in Paris, which was supported by SAM Art Projects, and is the first exhibition to be displayed in the recently expanded Palais’s Music Temple room, a space originally dedicated to creating electronic music. Describing the large room as “challenging to work in,” Ms. Beauvais said she was impressed by the artist’s ability to make it his own. “The way some people work with canvas, Asim works with space”.” Inspired by Gayatri Rangachari Shah ow.ly/gdOGc image source SamArtProjects ow.ly/gdOCp

There’s so much I want to say to you (August 18 2012) There’s so much I want to say to you (August 18 2012)

Sharon Hayes the 42 year old American artist who uses mixed mediums of video, performance, and installation in an ongoing investigation into various intersections between history, politics and speech, has been profiled by Kyle Chayka on Blouin Artinfo for her Whitney Museum exhibition titled ‘There’s So Much I Want to Say to You’. In the article Chayka states “…Hayes came of age during the rise of gay liberation movements and Third Wave feminism, twin currents that drive “There’s So Much I Want to Say to You.” In this tour-de-force solo show, the artist is equal parts activist, diarist, and journalist, charting her own individual upheavals even as she experiences the upheavals of her time and excavates the struggles of the past. A gay woman, Hayes integrates the personal and the political in a way that brings to mind the recent identity-based work of Simon Fujiwara and Danh Vo, but with a keener sense of the painful realities of the world and their impact on the individual. In formats ranging from her 1990s-era solo theatrical performances to her 2004 DJ set drawn from her extensive collection of spoken-word LPs, Hayes draws on lives and stories outside her own. Much of the Whitney exhibition confronts the struggle for queer identity. Sixteen-millimeter film footage shot at the 1971 “Christopher Street Liberation Day and Gay-In” is voiced over by Hayes and activist Kate Millett, who was born in 1934, in a piece called “Gay Power.” Millett reminisces about the excitement of the day while the camera runs up and down young bodies lit by the yellowing setting sun.”

 

Inspired by Blouin Artinfo ow.ly/cQQbZ image source Yiaos ow.ly/cQNRh

Anri Sala the 37 year old Albanian artist renowned for his favored medium in video has been announced as a representative for France at the 2013 Venice Biennale. Sala is currently based in Paris, represented by Hauser & Wirth Gallery along with the Marian Goodman Gallery. Sala studied video production at the French Ecole Nationale des Arts Décoratifs in Paris and film direction in Le Fresnoy-Studio National des Arts Contemporains, Tourcoing. Sala currently has a video installation titled ‘Dammi i colori’ (Give me the colors) on display at the London Tate Modern. The installation explores the colour transformation of his hometown Tirana in 2003. The installation includes a discussion between Sala and a personal friend Edi Rama, the Mayor of Tirana. Daniel Birnbaum wrote in Artforum in 2004 that Sala “is an expert in creating mesmerizing forms of repetition that produce strange states of mind, but he never goes so far as to cause pain.”

 

Inspired by Artinfo http://ht.ly/8qZp9 image source http://ow.ly/8tPHX

Václav Klaus the 69 year old President of the Czech Republic on a Latin American visit has been recorded on video during a press conference with Chilean President Sebastián Piñera stealing a ceremonial pen encrusted with semi-precious lapis lazuli stones renowned for their intense bluish colours. While the Chilean President was addressing journalists at the conference, Klaus is seen opening the pen box and removing the pen, he examines the pen then moves it down under the bench at which he is seated, appears to button up his jacket then returns his empty hand to close the pen box, hardly skipping a beat as he smiles at the warm welcome he is receiving from his counterpart. His spokespersons later claimed the pen only had the logo of the state on it. Inspired by Ben Quinn http://ow.ly/4DcQn image source Wikipedia http://ow.ly/4DcP1 It is not a pen but just a stylus (April 21 2011)

Václav Klaus the 69 year old President of the Czech Republic on a Latin American visit has been recorded on video during a press conference with Chilean President Sebastián Piñera stealing a ceremonial pen encrusted with semi-precious lapis lazuli stones renowned for their intense bluish colours. While the Chilean President was addressing journalists at the conference, Klaus is seen opening the pen box and removing the pen, he examines the pen then moves it down under the bench at which he is seated, appears to button up his jacket then returns his empty hand to close the pen box, hardly skipping a beat as he smiles at the warm welcome he is receiving from his counterpart. His spokespersons later claimed the pen only had the logo of the state on it.

 

Inspired by Ben Quinn http://ow.ly/4DcQn image source Wikipedia http://ow.ly/4DcP1

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