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Category: 1010DC (October)

Vik Muniz the 49 year old Brazilian American photographer and artist renowned for his use of surprising mediums to reproduce classical imagery, stars in the award winning documentary film “Waste Land“ bringing him to a much broader audience. The documentary film directed by Lucy Walker tracks the development of a series of photographic portraits made from garbage. The series called “Pictures of Garbage” were created by Muniz at Jardim Gramacho one of the largest open air dumps on the outskirts of Rio. The work was a collaboration with the dumps underclass catadores, the informal workers who scour the dump for recyclables providing Brazil with an infamous reputation for its success in reclamation efforts.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

William Kipchirchir Samoei arap Ruto the 44 year old Kenyan Higher Education Minister has been suspended from office after three constitutional court judges dismissed his plea not to stand trial over corruption allegations of defrauding a state corporation over the sale of forest land.  Ruto a potential 2012 presidential election candidate from the Rift Valley of Kenya sort the order claiming he would not get a fair trial, denying any wrongdoing and the charges were politically motivated. The country’s new constitution states that anyone facing criminal charges should step aside from public office. The constitution was designed to avoid the mayhem of the 2007 general election that resulted in approximately 1300 deaths with thousands dislocated.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Osama bin Laden the 53 year old Al Qaeda chief has warned France that its unjust treatment of Muslims could result in the killing of five of its abducted citizens in Niger unless it  withdraws troops from Afghanistan and abandons its recent law that bans the wearing of the burqua in public. The abducted citizens are employees of French firms working in the mining district of Arlit in Niger. France has nearly 4000 troops in Afghanistan, and recently approved a ban on full face veils citing security concerns along with the violation of  women’s human rights as the justification. The warning was broadcast via a tape recording on the Al-Jazeera network.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Tariq Aziz the 74 year old former deputy to Saddam Hussein’s Iraqi regime and it’s public face to the outside world as its foreign minister has been sentenced to hang for his role in the commission of wholesale murder. Aziz took part in a campaign to demonize the country’s political opposition, primarily the Shiite Dawa party, through a process of organized torture imprisonment and murder following an assassination attempt on Saddam Hussein in 1982. Two other co-accuseds were also sentenced to death. Aziz is a Christian and is likely to receive humanitarian intervention from the Vatican to urge the Iraqi authorities not to proceed with the death sentence.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Samuel Langhorne Clemens born in 1835 better known as Mark Twain the author of the much loved characters Huckleberry Finn and Tom Sawyer left behind at the time of his death in 1910 an unedited 5000 page memoir with specific instructions the documents were not to be released for 100 years, that milestone has now been reached. Clemens renown for being outspoken was largely informed from his years as a river boat captain along the Mississippi River and his extensive international travel. After keeping us waiting for a century Clemens will finally reveal all from a personal perspective with the release of the first volume of an eventual trilogy of his autobiography.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Randy Quaid and his wife Evi Quaid have both been arrested on US issued warrants in Vancouver after having fled to Canada from the United States to seek refugee status. In an Immigration and Refugee Board hearing the couple reported they felt their lives were in danger after eight of their acting friends had been murdered and they feared they would be next. The Hollywood actor having starred in the movie Brokeback Mountain, and his wife fled California missing a court hearing over an illegal squatting case involving their former home in Santa Barbara. A California judge issued the arrest warrants for the Quaids, who were subsequently released by the Immigration and Refugee Board on a $10k cash bond.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Yousaf Raza Gilani the Pakistani Prime Minister came under threat following the arrest of suspects planning to detonate a car bomb made from large amounts of fertilizer.  The evidence associated with the planned improvised explosive device was seized along with several suspects.  Their plot was to kill Yousaf Raza Gilani by attacking him at his compound in the Punjab provincial city of Multan located nearly 400 kilometers southeast of Islamabad the nation’s capital city. Claims have been made the suspects are militants from Pakistan’s often volatile tribal region, funded with kilo’s of gold and silver, and acting under orders of Kari Imram the Taliban leader of Miran Shah an offshoot group in North Waziristan.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Ai Weiwei aged 53 the renown Chinese artist has encountered health and safety concerns with his work “Sunflower Seeds,” currently exhibited at the Turbine Hall at the Tate Modern. The Tate in consultation with Ai Weiwei have decided to close visitor’s physical interaction with the work due to dust that was stirred. The piece comprises approximately 100 million hand-painted black and white porcelain sunflower seeds spread throughout the Turbine Hall some 100mm deep.  The shells crackle when walked on, having been designed for tactility and the interaction from visitors. Visitors view a gray expanse from the bridge that spans the Turbine Hall one floor up, experienced now only from behind ropes.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Tom Bosley aged 83 has died of heart failure. Bosley is best remembered as the father Howard Cunningham of Richie Cunningham on the eleven season long 1970’s television series Happy Days, although Bosley did go onto other starring roles in murder mystery type series. His career started on stage where he worked for a decade before transforming into television roles.  He has been appropriately acknowledged by former colleagues Henry Winkler who played the cool Arthur “The Fonz” Fonzarelli, and Ron Howard who played the more conservative son Richie who made tribute to him Bosley describing him as a wonderful artist.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Saud Abdulaziz Bin Nasser Al Saud a Saudi prince in a case prosecutors said had a sexual element at a London hotel was found guilty of murder and grievous bodily harm in the killing of his aide Bandar Abdulaziz. Jurors took an hour and a half to reach their unanimous verdict. Abdulaziz died from a severe beating that left bite marks on his arm face and ears fracturing his ribs and neck culminating in swelling and bruising of his brain. Abdulaziz did not give evidence in his own defense nor deny the killing, merely stating that he did not intend the death. The prince’s father is a nephew of King Abdullah.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Justin Bieber aged 16 the tween heart throb singer is being investigated over an assault on a 12 year old boy while playing laser tag in British Colombia Canada where he allegedly retaliated to taunts, cornering the boy and hitting him. Bieber denied the alleged assault, saying he accidentally touched the boy’s face following an incident where the 12 year old harassed Bieber by targeting him continuously during the course of the game. In frustration Bieber told the boy to cease who in turn responded “What are you going to do about it, faggot?” No charges are likely to be made according to police investigating.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Russell Williams a 47 year old Canadian air force colonel confessed to the murder of two women, sexually assaulting two others, and having broken into homes to souvenir women’s lingerie.  Williams the commander of Canada’s largest air force base pleaded guilty to 86 lurid sex crimes including the murders and rape had as a pilot been entrusted with the flying of the Canadian prime minister and with Queen Elizabeth on her visit to Canada. Williams video recorded and photographed his victims keeping them as “trophies”. Canadians are stunned that a man entrusted with the most sensitive military secrets could have been such a merciless sexual predator.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Angela Merkel the Germany Chancellor and leader of the Christian Democrats (CDU) has claimed that German approach to a multicultural society has utterly failed in not demanding immigrants entering the country immediately speak German. Germany is home to four million Muslims perceiving Merkel’s comments as inflammatory toward this population and intended to pacify her internal conservative party critics over a debate on immigration and Islam. Merkel claimed that allowing people of different cultural backgrounds to live side by side without integrating had not worked and that little had been required of immigrants to integrate.  Her comments foreshadow a tougher stance on immigrants who don’t show a willingness to adapt to German society.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Benoit Mandelbrot aged 85 has died. Dr Mandelbrot a French American mathematician renown for his study of fractal geometry, a ground breaking method to measure irregular outlines. The fractal geometry he developed by his mathematical formulas created intricate shapes that enabled the measure of natural phenomena once believed to be immeasurable  such as clouds and coastlines. His theory was applied to such diverse disciplines such as finance physics and biology. Dr Mandelbrot became professor emeritus at Yale University, originating from Poland he moved as a child with his family to be educated in France. The geometric shapes he created attracted a pop culture status due to their stunningly beautiful representations.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mary MacKillop a strong-willed and determined leader who co-founded the Sisters of St. Joseph of the Sacred Heart in 1867 and died in 1909 has been canonized to become Australia’s first Catholic saint. Claimed as a feminist before her time, she issued instructions to the nuns of her order that when women got the vote in Australia “It is the duty on us all to vote . Get advice from some leading man in whom you have confidence or from the priest, but keep your voting secret.” MacKillop and her order in 1871 were excommunicated after revealing a pedophile priest was engaged in “scandalous behavior” which was subsequently revoked five months later at the Bishop’s deathbed.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Morgan Tsvangirai Zimbabwe’s Prime Minister claimed he was disgusted with the countries President Robert Mugabe and suggested that foreign governments should not recognize Zimbabwe’s ambassadors. Under a power-sharing deal following the disputed 2008 elections a 24 month timetable was set for the drafting of a new constitution which has been delayed by a lack of funds and disagreement over committee composition. A new constitution is regarded crucial for free and fair elections. Mugabe has been sharing power with Tsvangirai since last year but now claims frustration with the constant wrangling stating the political accord had reached the end of its lifespan and likely to be terminated.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mahmoud Ahmadinejad the Iranian president came within a few kilometres of the Israeli border in southern Lebanon on his first state visit to Lebanon. Ahmadinejad visited Hezbollah stronghold towns along the Israeli border that were bombed during the 2006 war with Israel in a highly provocative move that outraged Israeli authorities. Ahmadinejad received a hero’s welcome when tens of thousands of Shiite Muslims gave support to his defiant speech that praised Hezbollah’s resistance of Israel. On the Israeli side of the border civilians protest against the visit demonstrating their opposition to the visit by launching blue and white balloons the colours of Israel’s flag.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Carl P. Paladino the Republican candidate for governor of New York declared to Jewish leaders in Brooklyn  that children should not attend gay pride parades because they featured skimpily dressed men. “It’s disgusting,” he said “exposing them to homosexuality, especially at a gay pride parade — and I don’t know if you have ever been to one, but they wear these little Speedos and they grind against each other and it’s just a terrible thing.” Brian Ellner, the senior strategist for the New York Human Rights Campaign for gay Marriage said Paladino was “Out of touch, out of his mind, and should be out of the race,” implying he is unsuitable to be the New York governor.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Luis Urzua the 54 year old shift foreman and the last trapped man out of the gold and copper mine in northern Chile nearly 600 metres below ground for more than two months has been heralded as the savior of the trapped 33 miners.  Upon reaching the surface he was embraced by the Chilean President Sebastian Pinera. Urzua who first established contact with the rescuers 17 days after the mine collapsed provided the leadership to his trapped colleagues dividing the remaining food and helping rescuers plan the escape route. “I’m proud of being Chilean,” he pronounced on his emergence from the rescue capsule after insisted on being the last of the trapped men to be freed.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Dame Joan Sutherland the 83 year old Australian opera diva referred to as the greatest soprano of the 20th century has died. Sutherland was raised by her mother in Sydney after her tone-deaf Scots immigrant father died when she was six. After studying at the Royal College of Music in London her career commenced with Covent Garden and made her British debut in Mozart’s The Magic Flute in October 1952 as the First Lady.  Richard Bonynge  her husband coach collaborator and favorite conductor convinced her that her future lay in the flourishes and agile runs of the coloratura repertoire, she went onto describe his influence on her career as the “architect, builder and maintenance man”.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

50 Cent a New York rapper who had been shot nine times on the streets of New York while dealing drugs before making it big with his music career has been sought out by a South African community policing group to godfather a black rhino that had also survived being shot nine times after two poaching attempts. Rhino poaching has doubled in the past year as Chinese and Vietnamese demand in traditional medicine has increased. The owner of the rhino removed the horn to protect it, however not deterred in a subsequent attack poachers attempted to further remove the stub. The rhino could possibly be renamed One Pound in recognition of its size.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Marshal Mathers the renown rapper Eminem infamous for the use of colourful language in his lyrics claims he doesn’t feel comfortable using profanity in front of his teenage daughters. “I’m a parent, I have daughters. I mean, how would I really sound, as a person, walking around my house [saying] ‘Bitch, pick this up.’ You know what I mean? I don’t cuss,” he said.  Eminem was often the subject of complaints about lyrics in his songs that where frequently explicitly violent and homophobic. “I’m not saying there’s not glimpses of me in the music, [that] there’s not truth in things that I say, but this is my music, this is my art,” he added.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Liu Xiaobo a 54 year old Chinese poet, literary critic and pro-democracy agitator having served 20 months after the Tiananmen Square massacre, and currently imprisoned on an11 year sentence for calling out for multi-party democracy that respected human rights has been awarded this year’s Nobel Peace Prize.  Liu  claims the Tiananmen Square massace inspired his activism. Chinese authorities responded negatively to the news of the dissident’s award labeling it as obscene such an award going to a criminal, implying the awarding of the peace prize to such a person also lowers the peace prize itself. The award was announced in Oslo by the Nobel Committee president Thorbjoern Jagland.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Thomas Lubanga Dyilo a Congolese militia leader, the first person to have a trial launched by the new International Criminal Court at The Hague in the Netherlands after being accused of conscripting children under the age of 15 to fight for the Patriotic Forces for the Liberation of Congo. Dyilo’s war crimes trial stalled when the Court ordered his release after prosecution refused to provide witness identity citing security concerns.  The order was reversed at an Appeal Court hearing enabling the resumption of the trial. Between September 2002 and August 2003 Dyilo is alleged to have allowed the children to actively participate in Ituri hostilities located in the eastern province of the Congo.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Hamid Karzai the Afghan President on ninth anniversary of the invasion by US and coalition forces has secretly begun high level negotiations with Taliban representatives to end the war.  The Taliban representatives are authorized to undertake preliminary negotiations on behalf of the Pakistan based Afghan Taliban organisation Quetta Shura and its leader Mullah Mohammad Omar. These negotiations follow Saudi Arabian hosted meetings that concluded a year earlier inconclusively. The aim of these renewed negotiations is to enter an agreement for the participation of Taliban figures into the Afghan government and an agreed timeline for the withdrawal of US and NATO troops.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Michelle Williams the 30 year old actress who received an Oscar nomination for her role in Brokeback Mountain in 2005 will star in a new British based movie depicting a week in the life of the iconic figure of Marilyn Monroe’s 1956 film shoot with Sir Laurence Olivier. Olivier will be played by Kenneth Branagh and the role of Vivien Leigh by Julia Ormond. Monroe more than 40 years after her death is still the world’s best-known sex symbols. This movie will be a second planned on the biography of Monroe, with the other scheduled in Hollywood based on a fictional biography by US writer Joyce Carol Oates.  The lead actress for this movie is to be Australian Naomi Watts.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Faisal Shahzad, a 31year old Pakistani-born US citizen was sentenced to life imprisonment without parole for the attempted car bombing at New York city’s Times Square by US District Judge Miriam Goldman Cedarbaum.  Shadzad had received training from the Pakistani Taliban known as Tehrik-e-Taliban Pakistan.  The organization had provided funding for the bombing attempt. Smiling while the sentence was pronounced he defiantly claimed other attacks on America are imminent. He went onto denounce the US and NATO forces in Iraq and Afghanistan, stating to the court “Brace yourselves because the war with Muslims has just begun, we Muslims don’t abide by human-made laws because they are always corrupt.”

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Jimi Heselden the 62 year old entrepreneur  who bought the U.S. based company Segway and is also the chairman of Hesco Bastion died after traveling over a cliff face near Leeds in northern England. Discovered in a river at the base of the cliff, Heselden one of Britain’s richest men and a former miner who left school at the age of 15, had been driving one of his Segway two-wheeled electric scooters at the time of his death. The self-balancing scooter became infamous when U.S. President George W. Bush while attempting to ride one, jumped off after losing control. The accident that lead to Heselden’s death has been described as a freak accident.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Fatmir Sejdiu the Kosovo President resigned over a breach to the constitution. Sejdiu’s presidency which is predominantly a ceremonial role was found by a court ruling to be a conflict of interest with his other role as a leader of a political party.  Sejdiu leads the Democratic League of Kosovo (LDK) which is a junior partner in the current Kosovo’s  Government. Kosovo is heading into delicate negotiations with Serbia following the 2008 declaration of independence and the International Court of Justice’s July ruling that Kosovo’s declaration was not illegal. Serbia has not recognized Kosovo’s independence declaration despite the legality ruling under international law.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Kim Jong-Il the North Korean leader has appointed his youngest son and heir apparent as a four-star general. Its believed 27 year old Kim Jong-un is to be anointed as the communist state’s next leader at the first meeting in three decades of the ruling party. Kim Jong-un will become the heir apparent to the nuclear-armed dynasty yet still remains mysteriously unknown to the rest of the world.  Although Swiss-educated and appearing somewhat westernised his actual political ambitions or intentions are not known.  He is believed to be his fathers favorite to score the position over other elder siblings.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Sarah Murdoch the host of television show series ‘Next Top Model’ announced the wrong person as the winner of the contest. Murdoch announced initially that Kelsey Martinovich as the winner when Amanda Ware was the actual winner.  Receiving a card from the producer while on camera with the correct result, Murdoch then revealed the mistake.  Later Murdoch claimed her earpiece was silent with no communication so decided to proceed and announce the result she had been previously advised. Martinovich later spoke of her humiliation with the announcement stating that it felt surreal and like a Zoolander moment. Editor Edwina McCann of Harper’s Bazaar accused Foxtel of manipulating the result for publicity.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

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