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Tag: insulting Islam
Salmaan Taseer the governor of the province of Punjab Pakistan and member of the Pakistan People’s Party (PPP) He did blasphemy of the Prophet Mohammed (January 5 2011)

Salmaan Taseer the governor of the province of Punjab Pakistan and member of the Pakistan People’s Party (PPP) was assassinated by his own security guard near his home in Islamabad as he was returning from a lunch meeting with a friend at the Kohsar Market a popular cafe spot for the city’s elite. The guard Malik Mumtaz Qadri apparently disagreed with Taseer’s opposition to Pakistan’s blasphemy law, shooting him 26 times with an AK-47 to his chest, neck, face and legs. The blasphemy law imposes a death penalty for insulting Islam, the Quran or the Prophet Mohammed. Taseer who was born to an Englishwoman and into an affluent family of intellectuals, was also the chairman of the national Worldcall Group a major private sector telecom operator.


Inspired by Chris Lawrence and Josh Levs Image source

Michel Thomas known as Michel Houellebecq the 52 year old French best known international author has been awarded the Prix Goncourt Prize for his book about the Parisian art scene titled ‘The Map and the Territory’. Houellebecq won the French top literary award after previously being nominated in 1998 and 2005. Houellebecq a controversial figure had been accused by Muslim groups of insulting Islam culminating in him winning a court case in 2002 for allegedly inciting racial hatred. Houellebecq has written five novels all translated into many languages. He currently resides as a recluse in Ireland and takes his pseudonym from his maternal grandmother who raised him from the age of six.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

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