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Tag: Michel Houellebecq

Bernard-Henri Lévy the 63 year old French intellectual and philosopher, known simply as BHL and one of the leaders of the 1976 “Nouveaux Philosophes” (New Philosophers) movement, has reached the best seller list with a collaborative book titled “Public Enemies”. The best seller is a publication of letters exchanged with Michel Houellebecq since 2008, where the two speak of their personal lives, reputations, religion, sex and politics. In a review of the book George Walden writes “Much of the fun of these letters stems from their almost satirically contrasting characters: Lévy, the well-born playboy of the western mind and pocket Apollo, versus Houellebecq, the drunken, ill-favoured, lower-middle-class grouch. As Lévy parades his learning and sleek bare chest dandiacally across the world (his letters are mostly written from hotels), Houellebecq sits at home with his dog, sluicing and smoking to heroically self-harming excess.”


Inspired by George Walden image source headweb

Michel Thomas known as Michel Houellebecq the 52 year old French best known international author has been awarded the Prix Goncourt Prize for his book about the Parisian art scene titled ‘The Map and the Territory’. Houellebecq won the French top literary award after previously being nominated in 1998 and 2005. Houellebecq a controversial figure had been accused by Muslim groups of insulting Islam culminating in him winning a court case in 2002 for allegedly inciting racial hatred. Houellebecq has written five novels all translated into many languages. He currently resides as a recluse in Ireland and takes his pseudonym from his maternal grandmother who raised him from the age of six.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

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