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Tag: visual artist

Benoit Mandelbrot aged 85 has died. Dr Mandelbrot a French American mathematician renown for his study of fractal geometry, a ground breaking method to measure irregular outlines. The fractal geometry he developed by his mathematical formulas created intricate shapes that enabled the measure of natural phenomena once believed to be immeasurable  such as clouds and coastlines. His theory was applied to such diverse disciplines such as finance physics and biology. Dr Mandelbrot became professor emeritus at Yale University, originating from Poland he moved as a child with his family to be educated in France. The geometric shapes he created attracted a pop culture status due to their stunningly beautiful representations.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mary MacKillop a strong-willed and determined leader who co-founded the Sisters of St. Joseph of the Sacred Heart in 1867 and died in 1909 has been canonized to become Australia’s first Catholic saint. Claimed as a feminist before her time, she issued instructions to the nuns of her order that when women got the vote in Australia “It is the duty on us all to vote . Get advice from some leading man in whom you have confidence or from the priest, but keep your voting secret.” MacKillop and her order in 1871 were excommunicated after revealing a pedophile priest was engaged in “scandalous behavior” which was subsequently revoked five months later at the Bishop’s deathbed.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Morgan Tsvangirai Zimbabwe’s Prime Minister claimed he was disgusted with the countries President Robert Mugabe and suggested that foreign governments should not recognize Zimbabwe’s ambassadors. Under a power-sharing deal following the disputed 2008 elections a 24 month timetable was set for the drafting of a new constitution which has been delayed by a lack of funds and disagreement over committee composition. A new constitution is regarded crucial for free and fair elections. Mugabe has been sharing power with Tsvangirai since last year but now claims frustration with the constant wrangling stating the political accord had reached the end of its lifespan and likely to be terminated.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mahmoud Ahmadinejad the Iranian president came within a few kilometres of the Israeli border in southern Lebanon on his first state visit to Lebanon. Ahmadinejad visited Hezbollah stronghold towns along the Israeli border that were bombed during the 2006 war with Israel in a highly provocative move that outraged Israeli authorities. Ahmadinejad received a hero’s welcome when tens of thousands of Shiite Muslims gave support to his defiant speech that praised Hezbollah’s resistance of Israel. On the Israeli side of the border civilians protest against the visit demonstrating their opposition to the visit by launching blue and white balloons the colours of Israel’s flag.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Carl P. Paladino the Republican candidate for governor of New York declared to Jewish leaders in Brooklyn  that children should not attend gay pride parades because they featured skimpily dressed men. “It’s disgusting,” he said “exposing them to homosexuality, especially at a gay pride parade — and I don’t know if you have ever been to one, but they wear these little Speedos and they grind against each other and it’s just a terrible thing.” Brian Ellner, the senior strategist for the New York Human Rights Campaign for gay Marriage said Paladino was “Out of touch, out of his mind, and should be out of the race,” implying he is unsuitable to be the New York governor.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Luis Urzua the 54 year old shift foreman and the last trapped man out of the gold and copper mine in northern Chile nearly 600 metres below ground for more than two months has been heralded as the savior of the trapped 33 miners.  Upon reaching the surface he was embraced by the Chilean President Sebastian Pinera. Urzua who first established contact with the rescuers 17 days after the mine collapsed provided the leadership to his trapped colleagues dividing the remaining food and helping rescuers plan the escape route. “I’m proud of being Chilean,” he pronounced on his emergence from the rescue capsule after insisted on being the last of the trapped men to be freed.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Dame Joan Sutherland the 83 year old Australian opera diva referred to as the greatest soprano of the 20th century has died. Sutherland was raised by her mother in Sydney after her tone-deaf Scots immigrant father died when she was six. After studying at the Royal College of Music in London her career commenced with Covent Garden and made her British debut in Mozart’s The Magic Flute in October 1952 as the First Lady.  Richard Bonynge  her husband coach collaborator and favorite conductor convinced her that her future lay in the flourishes and agile runs of the coloratura repertoire, she went onto describe his influence on her career as the “architect, builder and maintenance man”.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

50 Cent a New York rapper who had been shot nine times on the streets of New York while dealing drugs before making it big with his music career has been sought out by a South African community policing group to godfather a black rhino that had also survived being shot nine times after two poaching attempts. Rhino poaching has doubled in the past year as Chinese and Vietnamese demand in traditional medicine has increased. The owner of the rhino removed the horn to protect it, however not deterred in a subsequent attack poachers attempted to further remove the stub. The rhino could possibly be renamed One Pound in recognition of its size.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Marshal Mathers the renown rapper Eminem infamous for the use of colourful language in his lyrics claims he doesn’t feel comfortable using profanity in front of his teenage daughters. “I’m a parent, I have daughters. I mean, how would I really sound, as a person, walking around my house [saying] ‘Bitch, pick this up.’ You know what I mean? I don’t cuss,” he said.  Eminem was often the subject of complaints about lyrics in his songs that where frequently explicitly violent and homophobic. “I’m not saying there’s not glimpses of me in the music, [that] there’s not truth in things that I say, but this is my music, this is my art,” he added.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Liu Xiaobo a 54 year old Chinese poet, literary critic and pro-democracy agitator having served 20 months after the Tiananmen Square massacre, and currently imprisoned on an11 year sentence for calling out for multi-party democracy that respected human rights has been awarded this year’s Nobel Peace Prize.  Liu  claims the Tiananmen Square massace inspired his activism. Chinese authorities responded negatively to the news of the dissident’s award labeling it as obscene such an award going to a criminal, implying the awarding of the peace prize to such a person also lowers the peace prize itself. The award was announced in Oslo by the Nobel Committee president Thorbjoern Jagland.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Thomas Lubanga Dyilo a Congolese militia leader, the first person to have a trial launched by the new International Criminal Court at The Hague in the Netherlands after being accused of conscripting children under the age of 15 to fight for the Patriotic Forces for the Liberation of Congo. Dyilo’s war crimes trial stalled when the Court ordered his release after prosecution refused to provide witness identity citing security concerns.  The order was reversed at an Appeal Court hearing enabling the resumption of the trial. Between September 2002 and August 2003 Dyilo is alleged to have allowed the children to actively participate in Ituri hostilities located in the eastern province of the Congo.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Hamid Karzai the Afghan President on ninth anniversary of the invasion by US and coalition forces has secretly begun high level negotiations with Taliban representatives to end the war.  The Taliban representatives are authorized to undertake preliminary negotiations on behalf of the Pakistan based Afghan Taliban organisation Quetta Shura and its leader Mullah Mohammad Omar. These negotiations follow Saudi Arabian hosted meetings that concluded a year earlier inconclusively. The aim of these renewed negotiations is to enter an agreement for the participation of Taliban figures into the Afghan government and an agreed timeline for the withdrawal of US and NATO troops.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Michelle Williams the 30 year old actress who received an Oscar nomination for her role in Brokeback Mountain in 2005 will star in a new British based movie depicting a week in the life of the iconic figure of Marilyn Monroe’s 1956 film shoot with Sir Laurence Olivier. Olivier will be played by Kenneth Branagh and the role of Vivien Leigh by Julia Ormond. Monroe more than 40 years after her death is still the world’s best-known sex symbols. This movie will be a second planned on the biography of Monroe, with the other scheduled in Hollywood based on a fictional biography by US writer Joyce Carol Oates.  The lead actress for this movie is to be Australian Naomi Watts.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Faisal Shahzad, a 31year old Pakistani-born US citizen was sentenced to life imprisonment without parole for the attempted car bombing at New York city’s Times Square by US District Judge Miriam Goldman Cedarbaum.  Shadzad had received training from the Pakistani Taliban known as Tehrik-e-Taliban Pakistan.  The organization had provided funding for the bombing attempt. Smiling while the sentence was pronounced he defiantly claimed other attacks on America are imminent. He went onto denounce the US and NATO forces in Iraq and Afghanistan, stating to the court “Brace yourselves because the war with Muslims has just begun, we Muslims don’t abide by human-made laws because they are always corrupt.”

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Jimi Heselden the 62 year old entrepreneur  who bought the U.S. based company Segway and is also the chairman of Hesco Bastion died after traveling over a cliff face near Leeds in northern England. Discovered in a river at the base of the cliff, Heselden one of Britain’s richest men and a former miner who left school at the age of 15, had been driving one of his Segway two-wheeled electric scooters at the time of his death. The self-balancing scooter became infamous when U.S. President George W. Bush while attempting to ride one, jumped off after losing control. The accident that lead to Heselden’s death has been described as a freak accident.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Fatmir Sejdiu the Kosovo President resigned over a breach to the constitution. Sejdiu’s presidency which is predominantly a ceremonial role was found by a court ruling to be a conflict of interest with his other role as a leader of a political party.  Sejdiu leads the Democratic League of Kosovo (LDK) which is a junior partner in the current Kosovo’s  Government. Kosovo is heading into delicate negotiations with Serbia following the 2008 declaration of independence and the International Court of Justice’s July ruling that Kosovo’s declaration was not illegal. Serbia has not recognized Kosovo’s independence declaration despite the legality ruling under international law.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Kim Jong-Il the North Korean leader has appointed his youngest son and heir apparent as a four-star general. Its believed 27 year old Kim Jong-un is to be anointed as the communist state’s next leader at the first meeting in three decades of the ruling party. Kim Jong-un will become the heir apparent to the nuclear-armed dynasty yet still remains mysteriously unknown to the rest of the world.  Although Swiss-educated and appearing somewhat westernised his actual political ambitions or intentions are not known.  He is believed to be his fathers favorite to score the position over other elder siblings.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Sarah Murdoch the host of television show series ‘Next Top Model’ announced the wrong person as the winner of the contest. Murdoch announced initially that Kelsey Martinovich as the winner when Amanda Ware was the actual winner.  Receiving a card from the producer while on camera with the correct result, Murdoch then revealed the mistake.  Later Murdoch claimed her earpiece was silent with no communication so decided to proceed and announce the result she had been previously advised. Martinovich later spoke of her humiliation with the announcement stating that it felt surreal and like a Zoolander moment. Editor Edwina McCann of Harper’s Bazaar accused Foxtel of manipulating the result for publicity.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

James Hird the 37 year old former 253 game Essendon Australian Rules Football premiership legend vowed to lead his club to glory when appointed as the new head coach of the club.  After an absence of three years and no coaching experience in the interim his appointment follows the departure of Matthew Knights.  Hird a five time club best and fairest and former club captain has been appointed to a four year contract.  His support panel of specialist coaches will include a number of other great player veterans bringing a new team management to the club. The appointment was announced by the Essendon chairman David Evans.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Commander Mono Jojoy also known as Jorge Briceno of the Colombian FARC rebel insurgency the Revolutionary Armed Forces of Colombia has been killed in a Colombian Government air strike. The US backed crackdown that resulted in the rebel chief’s death occurred in the FARC’s last stronghold in the Macarena region.  His death is believed to have delivered a significant blow to the already weakened guerrilla insurgency after having suffered the loss of other top commanders in recent years including the founder Maneul Marulanda.  Colombia’s fortunes appear to have turned as the guerrillas have been forced into remote areas of mountainous jungles following a long history since the 1960s of kidnappings and cocaine trafficking.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Ed Miliband the 40 year old former Climate Change Minister of the Brown British Labour Government beat his older brother David, the former Foreign Minister by 50.65% to 49.35% to be elected the new leader of the now opposition Labour Party to that of Prime Minister David Cameron’s Conservative-Liberal Democrat coalition government.  Miliband replaces former Prime Minister Gordon Brown after a contest lasting five-months.  His brother David the main competitor had led the contest up until the final days shed tears at the announcement stating afterward, “This is Ed’s day obviously, I’m genuinely delighted for him because if I can’t win then he should lead a the party.”

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Malaysian astrophysicist Mazlan Othman the 58 year old head of its Office for Outer Space Affairs (Unoosa) is claimed to be pending announcement by the UN that she will be tasked with coordinating our response to any extraterrestrial alien visit to our planet. The Outer Space Treaty of 1967 dictates the UN is tasked to protect the ‘celestial bodies’ from contamination that may be harmful and to coordinate any response to a ‘first contact’.  The appointment would make her the proverbial ‘take me to your leader person’.   Dr Othman is quoted as stating that ”The continued search for extraterrestrial communication, by several entities, sustains the hope that some day humankind will receive signals from extraterrestrials. When we do, we should have in place a coordinated response that takes into account all the sensitivities related to the subject.”

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Teresa Lewis a 41 year old woman with an IQ of 72 having been considered fit for trial in US state of Virginia and subsequently convicted of a double murder has become the first woman since 1912 to be executed in the state. Lewis who had an adult son and daughter was pronounced dead at 9:13pm (local time) after given a lethal injection at Greensville prison where she had been held in custody. She had pleaded guilty to hiring two men in 2002 to murder her husband and stepson to secure the proceeds from a life-insurance policy. The other two gunmen received life imprisonment sentences while Lewis considered the mastermind of the killings was sentenced to death. Lewis admitted she had left the door of the family trailer open to enable the accomplices to enter and kill her two victims.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Andrew Demetriou the chief executive of the Australian Football League defended the leagues policy on drawn grand finals in the wake of a historical grand final drawn result that left 44 players, coaching staff and 100,016 fans dumbfounded. Demetriou confirmed the replay by the two teams the Collingwood Magpies who had scored 9.14 (68) and the StKilda Saints 10.8 (68) would take place on the following Saturday. Demetriou dismissed any immediate changes to the leagues rules, but confirmed that five minutes of extra time played from each end of the ground would take place in the event of another drawn result in following weeks replay to prevent any possibility of having three grand finals.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Penelope Benson a 23 year old sized14 model from Australia who lives at Kirribilli on the north shore of Sydney, took part in the Milan Fashion Week to become the first Australian plus-size model to do so. Benson was engaged by prestigious designer Elena Miro whose real name is Elena Miroglio, to grace the catwalk in her fashion show at the festival. Miro’s spring/summer 2011 collection was unveiled at an independent show to the Milan Fashion Week’s official program after being excluded. Miro a plus-size fashion designer had been the official opener for the previous five years of the official program. Australian lacks plus-size models due to the limited opportunities available with local magazines, and Benson’s international appearance is a first for the industry.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Pearce Delphin whose Twitter name is @zzap is a 17-year-old Australian schoolboy who lives at home in Melbourne with his parents has admitted exposing a security flaw on the social networking site Twitter. Delphin tweeted a piece of “mouseover” JavaScript code which brought up a pop-up window exposing a vulnerability to the Twitter site. He unwittingly caused a hacker attack to the site when the exposed flaw was then used by hackers to affect thousands of other users, causing havoc on the site for about five hours by sending users to Japanese porn sites and replicating worms before engineers could patch it up. Twitter apologized to its millions of users for the cause of the “mouseover” bug.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mahmoud Ahmadinejad the Iranian President gave an hour-long interview on his first day of a visit to the United States.  During the interview he challenged the United States administration to accept that Iran is a big power and has a major role to play in the world. He claimed that “the future belongs to Iran” but insists Iran has no intention to pursue nuclear weapons, claiming Iran only seeks peace and a nuclear-free world. “Having said that, we consider ourselves to be a human force and a cultural power and hence a friend of other nations. We have never sought to dominate others or to violate the rights of any other country,” he said. Ahmadinejad is in the US to attend the annual general assembly of the United Nations.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Fredrik Reinfeldt the Swedish Prime Minister and leader of the ruling four-party coalition of center-right Moderates, Liberals, Centre Party and Christian Democrats held power after winning re-election albeit losing its outright majority.  The re-election is historical in Sweden’s political history as the first time a non-socialist government has been elected to a second term. Sweden has a cradle-to-grave welfare system that emanated from a long history of socialist governance.  The coalition on this occasion won with 49.3% of the vote, the social democrat coalition with the Left and Green Parties with 43.7%, and the extreme  right anti-immigration Sweden Democrats increasing their percentage to 5.7%, winning for the first time parliamentary representation and the balance of power.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Pope Benedict XVI the 83-year-old head of the Roman Catholic Church concluded his visit to the predominantly Anglican Britain, only the second such visit by a catholic pope since 1534 when King Henry VIII renounced the Roman Catholic Church for its failure to annul his marriage.  The previous visit being nearly three decades earlier by John Paul II.  While visiting, the pope met with victims of clerical abuse, issuing an apology to those abused and expressing his sorrow for the “unspeakable crimes.”  He also held an open-air prayer meeting for an estimated 80,000 followers in Hyde Park while an estimated 10,000 demonstrators marched through London to Downing Street condemning the catholic church over its attitude to homosexuality, women’s rights, condom use and child abuse.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

French journalist and television presenter Melissa Theuiau has joined the illustrious ranks of Oprah Winfrey in having her identity stolen by online scam sites for use in bogus advertising.  Presented under the names of Karen and Amy her image is used along side advertisements promoting berry diets, slimming teas and colon cleansing solutions.  The images used without permission imply an endorsement of the products. Products which often make inflated and deceptive claims about their value, and when customers agree to free trials they are unwittingly agreeing to charges for other items on a month to month contract, or agreeing to excessive postage and handling costs.  Around $US30 million has been scammed from consumers last year alone by these sites according to the US Federal Trade Commission.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Akhmed Zakayev the 51 year old exiled Chechen independence leader accused under a Russian warrant of terrorism has been released from custody after being arrested in Poland. Judge Piotr Schab provided a written ruling justifying the release that took account that from 2003 he had been granted asylum in Britain another member state of the European Union.  Zakayev when arrested was attending a three-day congress of exiles from Chechnya being held in Poland.  He is now free to continue his travel intending to continue his attendance at the conference.  There are still seven days for authorities to lodge an appeal  against the court decision.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

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