Ian Bunn | Political & Popular Culture Arts

World's most prolific arms trafficker (November 18th)

Viktor Bout the 43 year old former officer of the Soviet Air Force dubbed the ‘Merchant of Death’ has been extradited from Thailand to the USA to face charges of arms dealing and terrorism that carry potential 25 years to life imprisonment sentences. Evidence against Bout was gathered during a sting operation during which an arsenal of weapons including surface to air missiles, armor piercing rocket launchers, AK47s, ammunition and landmines where offered for sale to agents purporting to be Colombian Revolutionary Armed Forces a designated foreign terrorist organization and the world’s largest supplier of cocaine. Bout built his arms business in the early part of the 1990s as the former Soviet Union disintegrated.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Mother's engagement ring, it's very special to me (November 17th)

Kate Middleton the 28 year old girlfriend of  Prince William the second in line to the British throne is to become the latest member of the Royal family following the announcement she will soon be Princess Catherine. The engagement took place in Kenya at a wild game reserve last month with Kate being given the late Princess Diana’s engagement ring of diamond and blue sapphire design. The choice of the ring according to Prince William was to ensure the late Princess could be with them in spirit and not miss out on the excitement of the day as they announce their intent to spend their lives together.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

In crisis and had to be re-launched (November 16th)

Gianfranco Fini the 58 year old Italian parliamentary speaker who recently departed Prime Minister Berlusconi’s coalition party to launch his new Freedom and Future party, has secured the support of four leading figures from the Berlusconi government heightening the political crisis developing around Berlusconi’s future. Fini’s new political party has been dubbed a party within a party reacting not only against the embarrassment of Berlusconi’s continued gaffs and private carryings on, but also to his leadership style prompting the potential for another vote of no confidence that may succeed on the next occasion, thought likely after the finalization of the coming budget sessions.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

You're going to run this thing while I'm talking (November 15th)

Kanye West the 33 year old Hiphop artist, who created angst five years ago after Hurricane Katrina, by accusing President Bush of not caring about black people in response to the slow government action to the disaster, cancelled his scheduled performance at the Today Show in protest to NBC over a recent interview.  West while being interviewed by Matt Lauer was asked questions in response to Bush’s emotional comments to the Katrina accusation, prompting West to protest at the manner in which the interview was being conducted, specifically the playing in the background of the Bush interview recently conducted following the release of his memoir.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

People think it would be a mistake to fire him (November 14th)

Francois Fillon the 56 year old popular French Prime Minister submitted his resignation and that of his government to President Nicolas Sarkozy, a calculated move that enables the reshuffling of the governments ministries in the lead up to the Presidential elections in approximately 18 months time. Fillon is expected to be reappointed with a significantly reduced number of ministries presenting a smaller tight knit government to electors, particularly after the trauma of the recent Pension age legislation passed by the parliament. Fillon is a career politician having held many domestic ministerial positions since 1993 under centre right governments.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Fins around me and I thought I'm dead (November 13th)

Dick Van Dyke the 84 year old legendary entertainer claims he was once saved by a pod of porpoises that pushed him all the way to the shore after having become disorientated out to sea on a surfboard.  Van Dyke apparently had fallen asleep on his board at his local beach, to awaken way out to sea without land in sight, and surrounded by fins swimming around him.  Thinking the worst he was relieved to discover they were porpoises and his unlikely saviors. Van Dyke one of the greats of sitcom and the screen stared along side Julie Andrews in my all time favourite ‘Mary Poppins’ made the claim on The Late Late Show with Craig Ferguson.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Lewd photos of his penis from stolen phones (November 12th)

Shane Willis a 33 year old burglar and recalcitrant criminal has been jailed for six years for offences including the sending of lewd photographs of his penis from stolen cellphones netted during his latest four month drug induced spree. Willis took the photographs with four of the stolen phones and forwarded them to four victims contact lists. The lists included women and young teenage children, some of whom were horrified suffering trauma and ongoing psychological effects as a result. Willis was apprehended when police recovered quantities of stolen goods from his home that included jewellery and electronic equipment.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

The most idiotic religion of them all (November 11th)

Michel Thomas known as Michel Houellebecq the 52 year old French best known international author has been awarded the Prix Goncourt Prize for his book about the Parisian art scene titled ‘The Map and the Territory’. Houellebecq won the French top literary award after previously being nominated in 1998 and 2005. Houellebecq a controversial figure had been accused by Muslim groups of insulting Islam culminating in him winning a court case in 2002 for allegedly inciting racial hatred. Houellebecq has written five novels all translated into many languages. He currently resides as a recluse in Ireland and takes his pseudonym from his maternal grandmother who raised him from the age of six.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Didn't think I could read, much less write (November 10th)

George W. Bush former president of the United States has released his memoir titled ‘Decision Points’ two years after leaving the presidency.  The memoir defends his decisions he made throughout the eight year period of his presidency.  In an attempt to promote the book, Bush participated in an interview with popular talk show host Oprah Winfrey at her Chicago studio.  During the course of the interview he declared he was through with politics and would not be wading back into what he refereed to as the swamp. Bush previously lamented as the lowest point of his term related to Hurricane Katrina and the perception that he was racist, particularly within the African American community.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

The page does not display personal details (November 9th)

Queen Elizabeth II the British monarch has joined the social network Facebook with a page that allows users to view and receive feeds from her home page messages with news on the Royals and events from her diary.  No one is permitted to become the Queen’s facebook direct friend however and can only receive the informational feeds.  On the release of the page the number of people who clicked the like button to the site went viral with 130 thousand people on single day of the release.  The Facebook page complements the Queen’s other social network sites including Youtube, Flickr and Twitter.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Been up for three days using meth (November 8th)

Lyndsey Fiddler the mother of a ten day old baby daughter has been charged in Oklahoma with second-degree manslaughter after placing the child in a washing machine along with a bundle of laundry for a full spin cycle.  Fiddler apparently left the living room saying that she intended to feed the child only to return later without the child and collapse on the couch. The baby was later found in the laundry washing machine after loud banging noises could be heard. Fiddler had been arrested four months into her pregnancy for drug related offences and is alleged to have been on a three day methamphetamine binge prior to the child’s death.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

There are easier ways to learn these lessons (November 7th)

Barack Obama the US president accepted the responsibility for the Democrats ‘shellacking’ in the congressional elections, leading to control of the congress ironically being handed back to those that created the worst recession since the 1930s and who consistently stymied his attempts to reinvigorate the US economy. The rise of the ultra right wing conservative Tea Party activists along with cable television and radio shock jocks helped set the agenda of the debate that lead to the demise of Obama’s previous presidential winning popularity. Unpopular measures highlighted by his opposition included the bailout of the banks and car industry, while ignoring his efforts at job creation and reforming the way ‘Washington’ does its business.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Decided to give her virginity to God (November 6th)

Eugenie Blanchard aged 114 listed as the world’s oldest person has died. Blanchard was born in 1896 at the French West Indies territory of Saint-Barthelemy, an island 250 kilometres north of Guadeloupe. She pursued her faith as a Catholic nun in Curacao a Dutch West Indies colony, returning on her retirement to Saint-Barthelemy to live out a further 30 years. Blanchard was renown with the local population of Curacao for her offering of sweet treats to attract children along for religious classes, leading to her nickname ‘Douchy’ a reference to the word sweets in the local dialect. A family member of Blanchard is quoted as believing her long live resulted from a decision to give her virginity to God.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

I do apologise. Thank you for your patience (November 5th)

Richard Champion de Crespigny the 53 year old pilot Captain of a Qantas Airbus A380 has received praise for his calming effect during an in-flight crisis when an engine of the plane exploded with debris tearing through and piercing the left wing not long after the plane had taken off from Singapore. de Crespigny who initially trained with the Royal Australian Air Force and is a thirty five year veteran, quickly and clearly detailed to the passengers the situation they were confronting and the intended procedure required before landing could take place. Procedures included dumping of fuel and an hour long holding pattern as system checks were undertaken.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

This is a slippery slope once you're on it (November 4th)

Ben Bernanke the chairman of the American central bank the Federal Reserve has commenced a second round of quantitative easing referred to as QE2, by electronically creating $US600 billion dollars into the financial system through long-term government bonds on top of the $US1.75 trillion created under the earlier round of quantitative easing. The conventional way to stimulate the economy through official interest rates in the United States are at rock bottom between 0 and 0.25 per cent, leaving this metaphorical printing of more money as the last means to try and boost borrowing and consumption in the ailing economy. A counter effect to this strategy is the likely further softening of the $US Dollar on world currency markets and the potential for inflation and stagnation.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

A moral intensity, an intelligence and a maturity (November 3rd)

Martin Scorsese the 68 year old American film director and producer of Italian origin from New York presented the restored version of Federico Fellini’s back-and-white classic “La Dolce Vita” at the Rome Film Festival. Scorsese an admirer of Italian cinema films helped restore the film through his Film Foundation, an organization established to preserve aged and deteriorating films for future generations.  Scorsese claims to have been heavily influenced as a youth by this particular film released in the early 1960s depicting Rome’s celebrity nightlife of the previous decade as a satirical spectacle of life, society and culture. The three hour epic length film broke open cinematic narratives through its abandonment of any story or plot.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Little girls will look and say yes, women can (November 2nd)

Dilma Rousseff the 63 year old former left leaning guerrilla leader who had been jailed and brutally tortured by the Brazilian military during the 1970s has won Brazil’s presidential election becoming the first woman to win such high office in one of the world’s highest growth economies. Rousseff an economist and former energy minister promised to follow the policies of her predecessor and mentor Luiz Inacio Lula da Silva that has successfully lifted twenty million people out of poverty in the Latin American country. Working as the extremely popular former president Lula da Silva’s chief of staff, Rousseff over time became more pragmatic to ultimately receive his decisive support during the election.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Political pungent, perpetual panic conflictanator (November 1st)

American cable television comedians Jon Stewart and Stephen Colbert held their ‘Rally to Restore Sanity’ at the Washington DC Mall which drew an enormous crowd stretching from the Congressional Capital buildings to the National Monument. Access to the event proved some-what difficult with people arriving hours late due to the stressed public transport and gridlocked surrounding streets. The rally although deemed as a non-political event was in essence a reaction to the earlier ultra conservative cable television figure Glenn Beck lead ‘Rally to restore honour’ that was seen as a mobilization of the extremist Tea Party movement in the lead up to the American mid-term elections.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Trying to step away from the realm of fine arts (October 31st)

Vik Muniz the 49 year old Brazilian American photographer and artist renowned for his use of surprising mediums to reproduce classical imagery, stars in the award winning documentary film “Waste Land“ bringing him to a much broader audience. The documentary film directed by Lucy Walker tracks the development of a series of photographic portraits made from garbage. The series called “Pictures of Garbage” were created by Muniz at Jardim Gramacho one of the largest open air dumps on the outskirts of Rio. The work was a collaboration with the dumps underclass catadores, the informal workers who scour the dump for recyclables providing Brazil with an infamous reputation for its success in reclamation efforts.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

They were doing it because of politics (October 30th)

William Kipchirchir Samoei arap Ruto the 44 year old Kenyan Higher Education Minister has been suspended from office after three constitutional court judges dismissed his plea not to stand trial over corruption allegations of defrauding a state corporation over the sale of forest land.  Ruto a potential 2012 presidential election candidate from the Rift Valley of Kenya sort the order claiming he would not get a fair trial, denying any wrongdoing and the charges were politically motivated. The country’s new constitution states that anyone facing criminal charges should step aside from public office. The constitution was designed to avoid the mayhem of the 2007 general election that resulted in approximately 1300 deaths with thousands dislocated.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Who started the oppression is the one to blame (October 29th)

Osama bin Laden the 53 year old Al Qaeda chief has warned France that its unjust treatment of Muslims could result in the killing of five of its abducted citizens in Niger unless it  withdraws troops from Afghanistan and abandons its recent law that bans the wearing of the burqua in public. The abducted citizens are employees of French firms working in the mining district of Arlit in Niger. France has nearly 4000 troops in Afghanistan, and recently approved a ban on full face veils citing security concerns along with the violation of  women’s human rights as the justification. The warning was broadcast via a tape recording on the Al-Jazeera network.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

He was a part of a criminal regime for 35 years (October 28th)

Tariq Aziz the 74 year old former deputy to Saddam Hussein’s Iraqi regime and it’s public face to the outside world as its foreign minister has been sentenced to hang for his role in the commission of wholesale murder. Aziz took part in a campaign to demonize the country’s political opposition, primarily the Shiite Dawa party, through a process of organized torture imprisonment and murder following an assassination attempt on Saddam Hussein in 1982. Two other co-accuseds were also sentenced to death. Aziz is a Christian and is likely to receive humanitarian intervention from the Vatican to urge the Iraqi authorities not to proceed with the death sentence.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Calls her a slut and says she tried to seduce him (October 27th)

Samuel Langhorne Clemens born in 1835 better known as Mark Twain the author of the much loved characters Huckleberry Finn and Tom Sawyer left behind at the time of his death in 1910 an unedited 5000 page memoir with specific instructions the documents were not to be released for 100 years, that milestone has now been reached. Clemens renown for being outspoken was largely informed from his years as a river boat captain along the Mississippi River and his extensive international travel. After keeping us waiting for a century Clemens will finally reveal all from a personal perspective with the release of the first volume of an eventual trilogy of his autobiography.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Seeking asylum from Hollywood star whackers (October 26th)

Randy Quaid and his wife Evi Quaid have both been arrested on US issued warrants in Vancouver after having fled to Canada from the United States to seek refugee status. In an Immigration and Refugee Board hearing the couple reported they felt their lives were in danger after eight of their acting friends had been murdered and they feared they would be next. The Hollywood actor having starred in the movie Brokeback Mountain, and his wife fled California missing a court hearing over an illegal squatting case involving their former home in Santa Barbara. A California judge issued the arrest warrants for the Quaids, who were subsequently released by the Immigration and Refugee Board on a $10k cash bond.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Was in its final planning stages (October 25th)

Yousaf Raza Gilani the Pakistani Prime Minister came under threat following the arrest of suspects planning to detonate a car bomb made from large amounts of fertilizer.  The evidence associated with the planned improvised explosive device was seized along with several suspects.  Their plot was to kill Yousaf Raza Gilani by attacking him at his compound in the Punjab provincial city of Multan located nearly 400 kilometers southeast of Islamabad the nation’s capital city. Claims have been made the suspects are militants from Pakistan’s often volatile tribal region, funded with kilo’s of gold and silver, and acting under orders of Kari Imram the Taliban leader of Miran Shah an offshoot group in North Waziristan.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

An upper-respiratory disaster waiting to happen (October 24th)

Ai Weiwei aged 53 the renown Chinese artist has encountered health and safety concerns with his work “Sunflower Seeds,” currently exhibited at the Turbine Hall at the Tate Modern. The Tate in consultation with Ai Weiwei have decided to close visitor’s physical interaction with the work due to dust that was stirred. The piece comprises approximately 100 million hand-painted black and white porcelain sunflower seeds spread throughout the Turbine Hall some 100mm deep.  The shells crackle when walked on, having been designed for tactility and the interaction from visitors. Visitors view a gray expanse from the bridge that spans the Turbine Hall one floor up, experienced now only from behind ropes.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

Made us all laugh while he was doing it (October 23rd)

Tom Bosley aged 83 has died of heart failure. Bosley is best remembered as the father Howard Cunningham of Richie Cunningham on the eleven season long 1970’s television series Happy Days, although Bosley did go onto other starring roles in murder mystery type series. His career started on stage where he worked for a decade before transforming into television roles.  He has been appropriately acknowledged by former colleagues Henry Winkler who played the cool Arthur “The Fonz” Fonzarelli, and Ron Howard who played the more conservative son Richie who made tribute to him Bosley describing him as a wonderful artist.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

He tried to claim diplomatic immunity (October 22nd)

Saud Abdulaziz Bin Nasser Al Saud a Saudi prince in a case prosecutors said had a sexual element at a London hotel was found guilty of murder and grievous bodily harm in the killing of his aide Bandar Abdulaziz. Jurors took an hour and a half to reach their unanimous verdict. Abdulaziz died from a severe beating that left bite marks on his arm face and ears fracturing his ribs and neck culminating in swelling and bruising of his brain. Abdulaziz did not give evidence in his own defense nor deny the killing, merely stating that he did not intend the death. The prince’s father is a nephew of King Abdullah.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

What are you going to do about it (October 21st)

Justin Bieber aged 16 the tween heart throb singer is being investigated over an assault on a 12 year old boy while playing laser tag in British Colombia Canada where he allegedly retaliated to taunts, cornering the boy and hitting him. Bieber denied the alleged assault, saying he accidentally touched the boy’s face following an incident where the 12 year old harassed Bieber by targeting him continuously during the course of the game. In frustration Bieber told the boy to cease who in turn responded “What are you going to do about it, faggot?” No charges are likely to be made according to police investigating.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

This was the act of a depraved individual (October 20th)

Russell Williams a 47 year old Canadian air force colonel confessed to the murder of two women, sexually assaulting two others, and having broken into homes to souvenir women’s lingerie.  Williams the commander of Canada’s largest air force base pleaded guilty to 86 lurid sex crimes including the murders and rape had as a pilot been entrusted with the flying of the Canadian prime minister and with Queen Elizabeth on her visit to Canada. Williams video recorded and photographed his victims keeping them as “trophies”. Canadians are stunned that a man entrusted with the most sensitive military secrets could have been such a merciless sexual predator.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

This approach has failed, utterly failed (October 19th)

Angela Merkel the Germany Chancellor and leader of the Christian Democrats (CDU) has claimed that German approach to a multicultural society has utterly failed in not demanding immigrants entering the country immediately speak German. Germany is home to four million Muslims perceiving Merkel’s comments as inflammatory toward this population and intended to pacify her internal conservative party critics over a debate on immigration and Islam. Merkel claimed that allowing people of different cultural backgrounds to live side by side without integrating had not worked and that little had been required of immigrants to integrate.  Her comments foreshadow a tougher stance on immigrants who don’t show a willingness to adapt to German society.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com