New York man, Paul Ceglia the former employer of Facebook chief executive officer Mark Zuckerberg, is suing over claims he owns 84 per cent of Facebook and has a copy of a $US3000 cashier’s cheque to support his claim. The cheque is claimed to be made out to Zuckerberg, and allegedly dated days prior to the signing of a contract agreement in 2003 by the two. Apparently the cheque is time stamped as being deposited on the day the contract is said to have been signed.  Cegila claims to have a controlling interest in the social networking company and its world largest website.  Lawyers for Zuckerberg state the claim is frivolous if not fraudulent.

Popular Culture Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.