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Tag: Boulin Artinfo
Jeffrey L Sturchio the American Senior Partner at Rabin Martin and former CEO of the Global Health Council, the world's largest membership alliance of public health organizations and professionals in more than 140 countries dedicated to saving lives by improving health throughout the world, has been featured in an article by Isolda Agazzi on the IPS News Service titled ‘Tsunami of Diseases Waiting to Hit’ stating “A tsunami is looming on the horizon and the world is unprepared for it. This one won’t be a massive wall of water but a tidal wave of disease – and experts say the international community needs to act fast to keep it from crashing. “Non-communicable diseases (NCDs) – cancer, heart disease, diabetes and chronic respiratory diseases, among others – have become the leading cause of death worldwide,” Jeffrey Sturchio … told a conference…  “Some 36 million people die from (NCDs) every year, 80 percent of them in low and middle income countries – a figure that will increase by 17 percent in the coming years and by 25 percent in Africa,” he added. Tuberculosis and malaria, in comparison, kill one to two million people around the world every year.“The disease burden is shifting to NCDs, but since developing countries still have to fight infectious diseases, they face a double burden,” Sturchio warned. However, developing countries do not appear to be paying adequate attention to the impending crisis. …financial resources are stretched thin, and it is unlikely that the funds needed to launch a massive global campaign will be readily available. “The reality is that in the last 20 years, tens of billions of dollars in official development assistance have gone to developing countries, mainly (to fight) HIV/AIDS, and it is unrealistic to think that the same will happen again, It will therefore be necessary to capitalise on existing investments and reallocate some of the resources already in circulation” he said.”  Inspired by Isolda Agazzi, IPS News Service ow.ly/in8m3 Image source Global Health TV ow.ly/in8iJ Tsunami of diseases waiting to hit (March 21 2013)

 

Jeffrey L Sturchio the American Senior Partner at Rabin Martin and former CEO of the Global Health Council, the world’s largest membership alliance of public health organizations and professionals in more than 140 countries dedicated to saving lives by improving health throughout the world, has been featured in an article by Isolda Agazzi on the IPS News Service titled ‘Tsunami of Diseases Waiting to Hit’ stating “A tsunami is looming on the horizon and the world is unprepared for it. This one won’t be a massive wall of water but a tidal wave of disease – and experts say the international community needs to act fast to keep it from crashing. “Non-communicable diseases (NCDs) – cancer, heart disease, diabetes and chronic respiratory diseases, among others – have become the leading cause of death worldwide,” Jeffrey Sturchio … told a conference…  “Some 36 million people die from (NCDs) every year, 80 percent of them in low and middle income countries – a figure that will increase by 17 percent in the coming years and by 25 percent in Africa,” he added. Tuberculosis and malaria, in comparison, kill one to two million people around the world every year.“The disease burden is shifting to NCDs, but since developing countries still have to fight infectious diseases, they face a double burden,” Sturchio warned. However, developing countries do not appear to be paying adequate attention to the impending crisis. …financial resources are stretched thin, and it is unlikely that the funds needed to launch a massive global campaign will be readily available. “The reality is that in the last 20 years, tens of billions of dollars in official development assistance have gone to developing countries, mainly (to fight) HIV/AIDS, and it is unrealistic to think that the same will happen again, It will therefore be necessary to capitalise on existing investments and reallocate some of the resources already in circulation” he said.”

 

Inspired by Isolda Agazzi, IPS News Service ow.ly/in8m3 Image source Global Health TV ow.ly/in8iJ

Yinka Shonibare the 50 year old British-Nigerian artist best known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation, while acknowledging his physical disability as part of his identity and physically incapable of carrying out the making of the work himself, his conceptualism takes on a new angle. Shonibare’s work explores issues of colonialism alongside those of race and class, through a range of media which include painting, sculpture, photography, installation art, and film. Coline Milliard in an article published on Boulin Artinfo states “…Shonibare has long nurtured an ambiguous relationship with the Establishment, past and present. But the artist, a prominent post-colonialist voice in Britain – who …cherishes his recently awarded order of chivalry as Member of the British Empire with a pride that isn’t entirely ironic. Shonibare is a self-proclaimed dandy, an “insider and outsider,” and the 18th century, cradle of that empire, is a constant point of reference both for its political overtones and dazzling aesthetic. …The adoption of a motif so conveniently combining bright patterns and politics has been a blessing and a curse for the artist. Although it provided him with a “brand,” its repetitive use has led to a flattening out of his production, and accusations of one-trick-ponyism. …the fabric serves an array of distinct topics, of which post-colonialism and hybrid identity are only two of the most central. The omnipresence of conflicts, the threat of global warming, and food-sustainability are key concerns for Shonibare. …But no matter how idea-led, there’s always an obvious enjoyment of the material, of the colors, textures, or the craft of well-tailored garments in Shonibare’s production. “I may be interested in a number of issues, but primarily I am an artist, and my job is to take people elsewhere,” the artist has said. “My job is to create a wonderland for them.”  Inspired by Coline Milliard, Blouin Artinfo ow.ly/in4R8 Image source Africa SI ow.ly/in4IN My job is to create a wonderland (March 20 2013)

 

Yinka Shonibare the 50 year old British-Nigerian artist best known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation, while acknowledging his physical disability as part of his identity and physically incapable of carrying out the making of the work himself, his conceptualism takes on a new angle. Shonibare’s work explores issues of colonialism alongside those of race and class, through a range of media which include painting, sculpture, photography, installation art, and film. Coline Milliard in an article published on Boulin Artinfo states “…Shonibare has long nurtured an ambiguous relationship with the Establishment, past and present. But the artist, a prominent post-colonialist voice in Britain – who …cherishes his recently awarded order of chivalry as Member of the British Empire with a pride that isn’t entirely ironic. Shonibare is a self-proclaimed dandy, an “insider and outsider,” and the 18th century, cradle of that empire, is a constant point of reference both for its political overtones and dazzling aesthetic. …The adoption of a motif so conveniently combining bright patterns and politics has been a blessing and a curse for the artist. Although it provided him with a “brand,” its repetitive use has led to a flattening out of his production, and accusations of one-trick-ponyism. …the fabric serves an array of distinct topics, of which post-colonialism and hybrid identity are only two of the most central. The omnipresence of conflicts, the threat of global warming, and food-sustainability are key concerns for Shonibare. …But no matter how idea-led, there’s always an obvious enjoyment of the material, of the colors, textures, or the craft of well-tailored garments in Shonibare’s production. “I may be interested in a number of issues, but primarily I am an artist, and my job is to take people elsewhere,” the artist has said. “My job is to create a wonderland for them.”

 

Inspired by Coline Milliard, Blouin Artinfo ow.ly/in4R8 Image source Africa SI ow.ly/in4IN

Androulla Vassiliou the 69 year old Cypriot lawyer and European politician who is the European Commissioner for Education, Culture, Multilingualism and Youth, known for being very active in social and cultural fields within the UN and EU, has been subject of an article by Coline Milliard for Boulin Artinfo titled ‘We Can't Leave Culture to the Market’. Milliard states “Speaking at the first Edinburgh International Culture Summit, EU culture commissioner Androulla Vassiliou reaffirmed the need for EU states to maintain funding for the arts. "Culture represents a public good in which every citizen has a stake and I believe that the case for public intervention is as strong today as it has ever been: the markets alone cannot deliver all that a civilised society needs," she later said in a press statement. The International Culture Summit … brings together politicians and artists from an array of countries to discuss the role culture can play in encouraging dialogue between nations. …As she inaugurated the summit, Scottish culture minister Fiona Hyslop said that the arts and creative sector were "key to economic and indeed social recovery, rather than a distraction from it," the EUobserver reported. Vassiliou and Hyslop's comments arrive at a moment when most European countries are facing severe art funding cuts. Although the Scottish government only reduced its culture spending by 5% since 2010, the rest of the UK experienced cuts of 30%. The European Union is planning to counteract this tendency by increasing its own culture budget by almost 40% for the next EU budgetary cycle in 2014-2020, bringing it up to €1.8b (£1.41b). The "Creative Europe" proposal is currently under discussion at the European parliament, but it is facing firm opposition from Germany, the Netherlands, and the UK. A final decision should be reached by early next year. If it goes ahead, an estimated 300,000 artists could benefit from "Creative Europe" funding.”  Inspired by Coline Milliard, Blouin Artinfo ow.ly/hYDej Image source Marina Ofugi ow.ly/hYDcO We can’t leave culture to the market (March 6 2013)

 

Androulla Vassiliou the 69 year old Cypriot lawyer and European politician who is the European Commissioner for Education, Culture, Multilingualism and Youth, known for being very active in social and cultural fields within the UN and EU, has been subject of an article by Coline Milliard for Boulin Artinfo titled ‘We Can’t Leave Culture to the Market’. Milliard states “Speaking at the first Edinburgh International Culture Summit, EU culture commissioner Androulla Vassiliou reaffirmed the need for EU states to maintain funding for the arts. “Culture represents a public good in which every citizen has a stake and I believe that the case for public intervention is as strong today as it has ever been: the markets alone cannot deliver all that a civilised society needs,” she later said in a press statement. The International Culture Summit … brings together politicians and artists from an array of countries to discuss the role culture can play in encouraging dialogue between nations. …As she inaugurated the summit, Scottish culture minister Fiona Hyslop said that the arts and creative sector were “key to economic and indeed social recovery, rather than a distraction from it,” the EUobserver reported. Vassiliou and Hyslop’s comments arrive at a moment when most European countries are facing severe art funding cuts. Although the Scottish government only reduced its culture spending by 5% since 2010, the rest of the UK experienced cuts of 30%. The European Union is planning to counteract this tendency by increasing its own culture budget by almost 40% for the next EU budgetary cycle in 2014-2020, bringing it up to €1.8b (£1.41b). The “Creative Europe” proposal is currently under discussion at the European parliament, but it is facing firm opposition from Germany, the Netherlands, and the UK. A final decision should be reached by early next year. If it goes ahead, an estimated 300,000 artists could benefit from “Creative Europe” funding.”

 

Inspired by Coline Milliard, Blouin Artinfo ow.ly/hYDej Image source Marina Ofugi ow.ly/hYDcO

Daniel Connell the Australian visual artist who draws heavily on India for inspiration has had a large charcoal mural defaced at the Kochi-Muziris Biennale - India’s first biennale based out of Kerala. The mural was attacked by unknown vandals rubbing it with a burnt coconut husk and water. Nicholas Forrest in a Boulin Artinfo article states “Titled LOOKHERE, Connell’s project consists of two 6.5 by 6.5-foot portraits as well as a series of paste-ups with images of local residents. The damaged work is a portrait of a man named Achu, who is a local tea vendor. “It seems that it was premeditated to a certain extent in that a tool was sourced rather than just using the hand,” Connell says. “The charcoal was simply smudged and wiped. If they had been really angry they could easily have removed the whitewash with little effort.” The reasons for the defacement are unclear, although Connell has run through multiple possibilities. His first suspicion was that it was a faith-based act - Achu, the vendor, is Muslim, and the biennale is also being held near the site of India’s first mosque - but locals were quick to dismiss this. Instead, Connell now suspects that it might be the work of local artistic intelligentia, angered at having been excluded from the event. Also possible culprits are extreme leftist groups active in the area, who, opposed to Western influence, have launched poster campaigns accusing the Biennale of corruption and elitism. The defacement might also be an act of jealousy from local business rivals of Achu’s tea shop, envious of his success.” Inspired by Nicholas Forrest ow.ly/gwAIm image source Blogspot ow.ly/gwAE8 Charcoal was simply smudged and wiped (January 7 2013)

Daniel Connell the Australian visual artist who draws heavily on India for inspiration has had a large charcoal mural defaced at the Kochi-Muziris Biennale – India’s first biennale based out of Kerala. The mural was attacked by unknown vandals rubbing it with a burnt coconut husk and water. Nicholas Forrest in a Boulin Artinfo article states “Titled LOOKHERE, Connell’s project consists of two 6.5 by 6.5-foot portraits as well as a series of paste-ups with images of local residents. The damaged work is a portrait of a man named Achu, who is a local tea vendor.   “It seems that it was premeditated to a certain extent in that a tool was sourced rather than just using the hand,” Connell says. “The charcoal was simply smudged and wiped. If they had been really angry they could easily have removed the whitewash with little effort.” The reasons for the defacement are unclear, although Connell has run through multiple possibilities. His first suspicion was that it was a faith-based act – Achu, the vendor, is Muslim, and the biennale is also being held near the site of India’s first mosque – but locals were quick to dismiss this. Instead, Connell now suspects that it might be the work of local artistic intelligentia, angered at having been excluded from the event. Also possible culprits are extreme leftist groups active in the area, who, opposed to Western influence, have launched poster campaigns accusing the Biennale of corruption and elitism. The defacement might also be an act of jealousy from local business rivals of Achu’s tea shop, envious of his success.”

 

Inspired by Nicholas Forrest ow.ly/gwAIm image source Blogspot ow.ly/gwAE8

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