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The insult, the injury and indignities of empire (October 5 2012) The insult, the injury and indignities of empire (October 5 2012)

Abdullah Al-Arian the 31 year old Assistant Professor of history specializing in the modern Middle East has published an article on Aljazeera titled ‘The insult, the injury and the indignities of empire’, citing during colonial times, scathing critiques of Islam were often met by Muslims with thoughtful and measured responses. Al-Arian states “…the United States and its European allies hope to absolve themselves of any culpability for the recurring hostility expressed by populations in the Middle East and beyond. To deny historical experiences and current political realities allows one to miss the point entirely: that the offence caused by the steady flow of anti-Islamic cultural production is quite literally adding insult to injury. And it is much easier for all of those involved to focus on the insult rather than the injury. There is little new in the amateurish hate-filled film that emerged out of the bowels of an Islamophobia industry that has picked up considerable steam in the last decade. Aside from trading the physical soapbox for the digital one of YouTube, anti-Islamic screeds have not evolved much since the era of the Crusades, relying primarily on a thoroughly discredited historical narrative of Prophet Muhammad’s life and mission that acted as a kind of medieval war propaganda. …Anyone seeking to understand the recent upheavals need only contrast the latest response with historical ones. Internal Muslim condemnations against the protests have relied primarily on Muhammad’s example of ignoring insults against his person. But in fact, there is a long tradition of Muslim tolerance for insults against their faith and its founder.”

 

Inspired by Aljazeera ow.ly/e0c6S image source usavsalarian ow.ly/e0cnQ

Rebecca Black the 13 year old American pop singer released a music video titled ‘Friday’ via YouTube that went viral with tens of millions views, achieving consistently high trending for weeks on Twitter, and described by critics as the “worst song ever”. Her success prompt another trending celebrity who also achieved instant success with one million followers on twitter within 24 hours – Charlie Sheen – to post on Twitter, “Rebecca Black, we don’t hate you because you’re famous. You’re famous because we hate you.” Black has now hired a publicist and a manager to liaise with songwriters and record labels as she enters into negotiations for a record deal, and has confirmed the recording of a second song titled ‘LOL’. Inspired by Emma Barnett ow.ly/4pnKf image source Twitter ow.ly/4pnJw A train wreck, a whole new level of bad (March 29 2011)

Rebecca Black the 13 year old American pop singer released a music video titled ‘Friday’ via YouTube that went viral with tens of millions views, achieving consistently high trending for weeks on Twitter, and described by critics as the “worst song ever”. Her success prompt another trending celebrity who also achieved instant success with one million followers on twitter within 24 hours – Charlie Sheen – to post on Twitter, “Rebecca Black, we don’t hate you because you’re famous. You’re famous because we hate you.” Black has now hired a publicist and a manager to liaise with songwriters and record labels as she enters into negotiations for a record deal, and has confirmed the recording of a second song titled ‘LOL’.

 

Inspired by Emma Barnett ow.ly/4pnKf image source Twitter ow.ly/4pnJw

Snorre Serigstad Valen the 26 year old Norwegian pianist, singer and politician nominated the whistle-blower and anti-secrecy website Wikileaks for the 2011 Nobel peace prize Wikileaks for the 2011 Nobel peace prize (February 5 2011)

Snorre Serigstad Valen the 26 year old Norwegian pianist, singer and politician nominated the whistle-blower and anti-secrecy website Wikileaks for the 2011 Nobel peace prize, an award conferred by a committee of five people chosen by the Norwegian Parliament. This unique nomination of an internet website that utilizes social media tools such as Twitter, Facebook and YouTube to disseminate state secrets acknowledges the bringing about of immense change to the political landscape, as tyrannical regimes that have traditionally held power over conventional media sources are now unable to control the freedom of the internet. The Norwegian Nobel Committee accepts nominations from many sources including University professors and presidents, former committee members and advisors, former recipients of the award, and in Valen’s case members of national assemblies and governments.

 

Inspired by Wojciech Moskwa ow.ly/3Psf6 image source Wikipedia ow.ly/3Psdg

Queen Elizabeth II the British monarch has joined the social network Facebook with a page that allows users to view and receive feeds from her home page messages with news on the Royals and events from her diary.  No one is permitted to become the Queen’s facebook direct friend however and can only receive the informational feeds.  On the release of the page the number of people who clicked the like button to the site went viral with 130 thousand people on single day of the release.  The Facebook page complements the Queen’s other social network sites including Youtube, Flickr and Twitter.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.

www.ianbunn.com

My work is about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectators experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Arts notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work diverges from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

The work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Pop Culture through an artistic and conceptual exploration of specific people and events of the day.

The works are presented as individual pieces printed with Archival-Inks on 308g Cottonrag-paper, along with A3 sized bound monthly editions, and monthly looped video compilations.
www.ianbunn.com

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