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Tag: YBAs
Pre-Raphaelites were YBAs of their day (September 11 2012) Pre-Raphaelites were YBAs of their day (September 11 2012)

Fiona MacCarthy the 71 year old British biographer and cultural historian has published an article in The Guardian titled ‘Why the pre-Raphaelites were the YBAs of their day’ claiming their art was as shocking and controversial as anything by Damian Hirst. MacCarthy states “…ardent, ambitious and serious artists and poets. Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais were the leaders of the movement formed in 1848. The pre-Raphaelite brotherhood embodied protest. William Morris was later to describe it as a “really audacious attempt” to reject the prevailing academic forms of art in favour of truth to nature. It was an audacity that applied to literature as much as to painting and the decorative arts. They called themselves pre-Raphaelites defiantly, taking up the purist values of pre-renaissance art of the period immediately before Raphael, drawing on the past to make their own mid 19th-century artistic revolution. We need to remember these were still very young men. Holman Hunt was 21, Rossetti only 20, Millais just 19. They formed a cohesive in-group, shutting out the unbelievers. Their dazzling manifesto on the true meaning of art proved terribly obscure to both the critics and the public. They were clever and sardonic. Their irreverence still makes them seem curiously modern. …They were radical in their ways of looking, viewing their subjects with an intense psychological acumen. They were radical, too, in their techniques of painting. That pre-Raphaelite super-realism was achieved through meticulous attention to detail. The artists preferred painting outside the studio, the strange and often shocking candour of their vision exaggerated by the effects of natural light. The brotherhood was wonderfully wilful and obsessive.”


Inspired by The Guardian image source Oxford University

Tracey Karima Emin the 48 year old British artist, part of the group known as Britartists or YBAs (Young British Artists), has been featured by novelist Jeanette Winterson in The Independent under the title ‘The evolution of Tracey Emin’. Winterson states from a discussion with Emin, ““Wherever I am, I am aware of where I am, and the me that is in the where I am. So I am always a little bit outside of anywhere, and wondering about it.” But Tracey, what happens when the iconoclast becomes an icon? “I’m a role model, yeah, but that doesn’t mean I belong.” But doesn’t fame and fortune put you in the elite, not the outsiders? …Warhol began the idea of artist as artwork. At its most corrupt it has become celebrity culture where making news is a much more important activity than making anything worthwhile. It is vacuity and spin. Tracey Emin does make things; she has made a lot of things, and recently in her continual re-visions of hand and eye, body and brain, her work has suffered a sea-change into something rich and strange. The ugly feral shock of My Bed. The defiant beauty of the blue nudes. It’s all Tracey Emin – she can see that. Look at her.”


Inspired by Jeanette Winterson image source Tyrenius

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