Hugh Michael Jackman the 32 year old Australian actor and producer received facial injuries and a hurt back after traveling to fast on a flying fox during the Sydney Oprah Winfrey Show, crashing near the lighting rig and having to be lowered to the stage where he was treated by four paramedics. Jackman admitted later that he hadn’t adequately used the braking device, having been distracted and waving to his dad and kids, then went to apply the brake but in the excitement it was too late. He later returned to the stage with a bandage under his eye. Jackman intended making a dramatic entrance swooping through the air from the top of the Opera House down to the stage.

Inspired by Mark Joyella at Mediaite

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.