Lee Myung-bak the 69 year old President of South Korea responded to the provocative deadly artillery attack from North Korea on the South Korean territory as a direct invasion the first since the armistice that ended the Korean war in 1953. International supporters called for restraint as he declared that an enormous retaliation would be required to stem the provocations from the north. Tensions had mounted following the earlier torpedo sinking of the Cheonan and subsequent naval exercises involving in excess of 50 vessels being conducted between the South and allies the USA. The artillery barrage killed several marines & civilians and caused extensive property damage. Ironically South Korea provides humanitarian aid to the North.

Political Arts | Ian Bunn Visual Artist

My digital art work is essentially politics and art. It’s about iconic people, places and events of our day.  Recorded visually through daily compilations of manipulated digital images, posted online and disseminated via online media and social networks. The works are diaristic in nature that metaphorically record a spectator’s experience of the contemporary digital age.  The resulting work intentionally has a painterly aesthetic acknowledging my historical painting practice.

Adapting Pop Art’s notion of mass media imagery into a context of the contemporary digital age, the work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our sub consciousness.  The work is essentially popular culture arts, diverging from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead this work focuses on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.

This digital photo manipulation art work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.  Hence this work considers fragmented elements of Popular Culture through an artistic and conceptual exploration of specific people and events of the day.