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Ronald Ventura the 39 year old Filipino contemporary artist noted for paintings featuring complex layering, combining images and styles ranging from hyperrealism to cartoons and graffiti has been profiled by Sonia Kolesnikov-Jessop in an article published on Blouin Artinfo titled ‘Filipino Artist Ronald Ventura Is Making Connections Across Cultures’, in which she states “Like many emerging artists, early in his career Ronald Ventura tended to sell everything he produced. Now that his reputation is firmly established and he is dreaming of one day setting up a contemporary art museum in Manila …has found himself in the unenviable position of going back to collectors to buy back key pieces. …says he was stunned to find out how much some of his older works had appreciated. “A couple of years ago, I was looking for a good drawing that I had done. Most of my drawings are usually covered in paint, but I was looking for a drawing that wasn’t. When I found out the price I was shocked. I couldn’t believe it. It was 10 times more than the original gallery price,” he said, his laugh underscoring his mixed emotions at the steep price increase. …The artist has learned his lesson. He says he now keeps one artwork from every solo exhibition. At the rate his pieces are selling, he should. In his latest show, “recyclables,” held at the Singapore Tyler Print institute, 70 percent of the works were sold by the morning of the opening. …Ventura loves nothing more than to subvert familiar cartoon figures, such as Mickey Mouse or a dwarf from Snow White, giving them a “new reality” with the help of a skull or a gas mask. The artist has risen to prominence on the Asian contemporary art scene with complex, layered works that juxtapose unexpected images, often rather dark — internal organs with flowers and butterflies, or a clown and a gas mask — always rendered with exquisite draughtsmanship. He is known for mixing different styles, such as hyperrealism and Surrealism, cartoons and graffiti.”  Inspired by Sonia Kolesnikov-Jessop, Blouin Artinfo ow.ly/j4IEo Image source ManilaArtBlogger ow.ly/j4Izv When I found out the price I was shocked (April 14 2013)

 

Ronald Ventura the 39 year old Filipino contemporary artist noted for paintings featuring complex layering, combining images and styles ranging from hyperrealism to cartoons and graffiti has been profiled by Sonia Kolesnikov-Jessop in an article published on Blouin Artinfo titled ‘Filipino Artist Ronald Ventura Is Making Connections Across Cultures’, in which she states “Like many emerging artists, early in his career Ronald Ventura tended to sell everything he produced. Now that his reputation is firmly established and he is dreaming of one day setting up a contemporary art museum in Manila …has found himself in the unenviable position of going back to collectors to buy back key pieces. …says he was stunned to find out how much some of his older works had appreciated. “A couple of years ago, I was looking for a good drawing that I had done. Most of my drawings are usually covered in paint, but I was looking for a drawing that wasn’t. When I found out the price I was shocked. I couldn’t believe it. It was 10 times more than the original gallery price,” he said, his laugh underscoring his mixed emotions at the steep price increase. …The artist has learned his lesson. He says he now keeps one artwork from every solo exhibition. At the rate his pieces are selling, he should. In his latest show, “recyclables,” held at the Singapore Tyler Print institute, 70 percent of the works were sold by the morning of the opening. …Ventura loves nothing more than to subvert familiar cartoon figures, such as Mickey Mouse or a dwarf from Snow White, giving them a “new reality” with the help of a skull or a gas mask. The artist has risen to prominence on the Asian contemporary art scene with complex, layered works that juxtapose unexpected images, often rather dark — internal organs with flowers and butterflies, or a clown and a gas mask — always rendered with exquisite draughtsmanship. He is known for mixing different styles, such as hyperrealism and Surrealism, cartoons and graffiti.”

 

Inspired by Sonia Kolesnikov-Jessop, Blouin Artinfo ow.ly/j4IEo Image source ManilaArtBlogger ow.ly/j4Izv

Netizens Reject Cybercrime Act (October 17 2012) Netizens Reject Cybercrime Act (October 17 2012)

Kara Santos the Filipino writer and photographer published an article on IPS News titled ‘Filipino Netizens Reject Cybercrime Act’ claiming “A newly enacted cybercrime law in the Philippines has raised fears that not only online media but also ordinary netizens could be persecuted for exercising their freedom of expression”. Santos states “Media groups have expressed concern that the law poses a threat to press freedom and limits freedom of expression in the country. Bloggers and social media practitioners also point out that the new law allows the government to shut down websites without due process, and makes Internet users liable for simply clicking the ‘like’ button on Facebook or re-tweeting something on Twitter. …the law also broadens the coverage of libel as a content-related offense that can be committed by just about anybody using a computer. …Many Filipinos are disturbed by the fact that the man allegedly responsible for this last-minute change, which lumps online libel with cybersex and child pornography, is notorious for plagiarising blogs, and recently elicited a spate of criticism from active netizens. …investigative journalist and blogger Raissa Robles claims that Senator Vicente Sotto III pushed for the insertion into the law at the eleventh hour “Historically, in the Philippines, it is the rich and the powerful who use libel as a weapon to suppress criticisms about them. Before the Internet came along, it was easier for the rich and the powerful to control criticisms. All they needed to do was buy a stake in newspapers, TV and radio. Or sue them. Now they have realised that the Web is beyond their control.”

 

Inspired by IPS News ow.ly/emsMy image source Facebook ow.ly/emsGS

Reynaldo Dagsa a Filipino politician and member of the Barangay Peacekeeping Action Team Inadvertently took the picture of the killer (January 4 2011)

Reynaldo Dagsa a Filipino politician and member of the Barangay Peacekeeping Action Team, was killed by a gunshot wound to the head in a New Year’s Day shooting assassination while Dagas was taking a photograph of his family outside of his family home.  In the photograph Dagas took moments before the shooting, he inadvertently captured in the frame of the image the faces of his two assassins behind the victim’s smiling family, including the actual shooter braced against a motor vehicle aiming his weapon seconds before the shot being fired. The two assassins were indentified from the photograph after the image was published in a front page piece of a major newspaper.

 

Inspired by ABC news ow.ly/3EzR Image source ow.ly/3EzRv

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