Ian Bunn | Political & Popular Culture Arts

Lucy Lippard the 75 year old American internationally known writer, art critic, activist and curator among the first writers to recognize the “dematerialization” at work in conceptual art and was an early champion of feminist art has been featured by Chloe Wyma in an article for Blouin Artinfo titled ‘Four Decades After Lucy Lippard’s “Six Years,” Is Conceptual Art Still Relevant? Wyma states “If you want to understand the stakes of the “dematerialization of the art object,” look no further than the late British artist John Latham’s “Art and Culture,” the entrance piece at “Materializing Six Years: Lucy Lippard and the Emergence of Conceptual Art” at the Brooklyn Museum. The piece mockingly takes its title from mid-century formalist art critic Clement Greenberg’s influential text: An open briefcase reveals a copy of Greenberg’s book, an overdue notice from the library, and vials containing the masticated pulp of its pages. The byproduct of a party where Latham invited guests to chew the pages of Greenberg’s book, the work takes the radical propositions of dematerialization quite literally, turning the bible of formalist art criticism into formless cud. Casting off the cloth of the detached, Greenbergian art critic, Lucy Lippard played a crucial role, not only as a writer, but as curator and collaborator within the diverse artistic activity that’s now catalogued under the rubric of Conceptual Art. As she writes in the forward to the exhibition, Lippard and her circle “invented ways for art to act as an invisible frame for seeing and thinking rather than as an object of delectation or connoisseurship.” In their critique of the art object, they sought to remake the art world as a network of ideas to be shared, rather than a marketplace of objects to be bought and sold.”

Inspired by Chloe Wyma, Blouin Artinfo ow.ly/gGWLj Image source Fluxusa ow.ly/gGWJS

Students engaged each other on the topic of war (April 12th 2012)

Michael Rakowitz the 38 year old Iraqi American Artist and Professor renowned for his conceptual art displayed in non-gallery contexts has a new installation work on the streets of Chicago, titled ‘Enemy Kitchen’. The work is a continuing project begun in 2004 as a collaboration with his Iraqi-Jewish mother. Rakowitz states on his web “…the first incarnation of the project  …with a group of middle school and high school students who live in Chelsea… Some had relatives in the US Army stationed in Iraq. …In preparing and then consuming the food [Baghdadi recipes], it opened up another topic through which the word ‘Iraq’ could be discussed… The project functioned as a social sculpture: while cooking and eating, the students engaged each other on the topic of the war and drew parallels with their own lives, at times making comparisons with bullies in relation to how they perceive the conflict.” This new phase of the project encompasses a mobile food truck in Chicago at the Smart Museum of Art. The food truck features a different Iraqi cook each day, serving cuisine from different regions of the country, and will be staffed by American veterans of the Iraq War who act as servers and sous-chefs.”

Inspired by Ruth Lopez http://ow.ly/a6YmI image source Vimeo http://ow.ly/a6Z5y