Lucy Lippard the 75 year old American internationally known writer, art critic, activist and curator among the first writers to recognize the "dematerialization" at work in conceptual art and was an early champion of feminist art has been featured by Chloe Wyma in an article for Blouin Artinfo titled ‘Four Decades After Lucy Lippard's "Six Years," Is Conceptual Art Still Relevant? Wyma states “If you want to understand the stakes of the “dematerialization of the art object,” look no further than the late British artist John Latham’s “Art and Culture,” the entrance piece at “Materializing Six Years: Lucy Lippard and the Emergence of Conceptual Art” at the Brooklyn Museum. The piece mockingly takes its title from mid-century formalist art critic Clement Greenberg’s influential text: An open briefcase reveals a copy of Greenberg’s book, an overdue notice from the library, and vials containing the masticated pulp of its pages. The byproduct of a party where Latham invited guests to chew the pages of Greenberg’s book, the work takes the radical propositions of dematerialization quite literally, turning the bible of formalist art criticism into formless cud. Casting off the cloth of the detached, Greenbergian art critic, Lucy Lippard played a crucial role, not only as a writer, but as curator and collaborator within the diverse artistic activity that’s now catalogued under the rubric of Conceptual Art. As she writes in the forward to the exhibition, Lippard and her circle “invented ways for art to act as an invisible frame for seeing and thinking rather than as an object of delectation or connoisseurship.” In their critique of the art object, they sought to remake the art world as a network of ideas to be shared, rather than a marketplace of objects to be bought and sold.”   Inspired by Chloe Wyma, Blouin Artinfo ow.ly/gGWLj Image source Fluxusa ow.ly/gGWJS Is Conceptual Art still relevant? (January 15 2013)

Lucy Lippard the 75 year old American internationally known writer, art critic, activist and curator among the first writers to recognize the “dematerialization” at work in conceptual art and was an early champion of feminist art has been featured by Chloe Wyma in an article for Blouin Artinfo titled ‘Four Decades After Lucy Lippard’s “Six Years,” Is Conceptual Art Still Relevant? Wyma states “If you want to understand the stakes of the “dematerialization of the art object,” look no further than the late British artist John Latham’s “Art and Culture,” the entrance piece at “Materializing Six Years: Lucy Lippard and the Emergence of Conceptual Art” at the Brooklyn Museum. The piece mockingly takes its title from mid-century formalist art critic Clement Greenberg’s influential text: An open briefcase reveals a copy of Greenberg’s book, an overdue notice from the library, and vials containing the masticated pulp of its pages. The byproduct of a party where Latham invited guests to chew the pages of Greenberg’s book, the work takes the radical propositions of dematerialization quite literally, turning the bible of formalist art criticism into formless cud. Casting off the cloth of the detached, Greenbergian art critic, Lucy Lippard played a crucial role, not only as a writer, but as curator and collaborator within the diverse artistic activity that’s now catalogued under the rubric of Conceptual Art. As she writes in the forward to the exhibition, Lippard and her circle “invented ways for art to act as an invisible frame for seeing and thinking rather than as an object of delectation or connoisseurship.” In their critique of the art object, they sought to remake the art world as a network of ideas to be shared, rather than a marketplace of objects to be bought and sold.”

 

Inspired by Chloe Wyma, Blouin Artinfo ow.ly/gGWLj Image source Fluxusa ow.ly/gGWJS