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Robert Barry the 76 year old American artist renowned for his non-material works of art, installations, and performances using a variety of otherwise invisible media, has been interviewed by Celine Piettre for Blouin Artinfo in an article titled ‘Artist Robert Barry Discusses Working With "Time, Light, and Darkness"’.  Barry states “I don’t like this term [Conceptual Artist]. I find it very limiting, as far as I’m concerned in any case. I use materials: time, space, color, words. My work is visual, and not purely about ideas or concepts. …I don’t work so much on language as on words, which I perceive as objects. They have a color, a size. They exist in a given space and time. They have a tangible aspect. Words are also very personal. They come from us and say things about us. They have a story. We all interpret them according to our own experience. I’m always surprised when people ask me this question. I’m interested in words — that’s it. It’s like I painted flowers or landscapes. It’s a personal interest, a work material that offers infinite possibilities. …Video is a natural medium for me. I’ve used it since the beginning of my career. It’s a medium of time — a notion, a material that is truly integral to my work, like light. I like the idea of light emerging from the darkness and plunging into it again. It’s something that everyone experiences. …It’s important to me that there can be different levels of perception, experiences, and time. All these components of the real are combined here: the idea of art, war, light, words, and speech — they work together to make the piece. … In general, I like using music in my work because it’s an art that exists in time.” Inspired by Celine Piettre ow.ly/gwWNu image source TownNews ow.ly/gwWMO I use materials: time, space, color, words (January 13 2013)Robert Barry the 76 year old American artist renowned for his non-material works of art, installations, and performances using a variety of otherwise invisible media, has been interviewed by Celine Piettre for Blouin Artinfo in an article titled ‘Artist Robert Barry Discusses Working With “Time, Light, and Darkness”’.  Barry states “I don’t like this term [Conceptual Artist]. I find it very limiting, as far as I’m concerned in any case. I use materials: time, space, color, words. My work is visual, and not purely about ideas or concepts. …I don’t work so much on language as on words, which I perceive as objects. They have a color, a size. They exist in a given space and time. They have a tangible aspect. Words are also very personal. They come from us and say things about us. They have a story. We all interpret them according to our own experience. I’m always surprised when people ask me this question. I’m interested in words — that’s it. It’s like I painted flowers or landscapes. It’s a personal interest, a work material that offers infinite possibilities. …Video is a natural medium for me. I’ve used it since the beginning of my career. It’s a medium of time — a notion, a material that is truly integral to my work, like light. I like the idea of light emerging from the darkness and plunging into it again. It’s something that everyone experiences. …It’s important to me that there can be different levels of perception, experiences, and time. All these components of the real are combined here: the idea of art, war, light, words, and speech — they work together to make the piece. … In general, I like using music in my work because it’s an art that exists in time.”

 

Inspired by Celine Piettre ow.ly/gwWNu image source TownNews ow.ly/gwWMO

Phrasing is more important than the style (November 18 2012) Phrasing is more important than the style (November 18 2012)

Scurti Franck the 47 year old French photographer and videographer nominated for the Duchamp Prize discussed with Céline Piettre for a Blouin Artinfo article on being an Artist without a style. Franck states “I haven’t done a project for the Prix Duchamp. I work every day and I’ve chosen three works that seem to me to make sense together. I selected them from a group of works that I created over the last three months. In fact, I just decided. …When I prepare an exhibition I never think about money. I create and then I decide. The term “production” has gradually replaced “creation,” and facing what I consider to be a crisis of representation, my desire is to reflect, in the wider sense of the word, on the creative process. I work with “poor” means and oppose them to “big productions” and to what I consider to be spectacle. …Often it’s the idea that leads me to choose a medium. But sometimes it’s the opposite. When I work with found objects, for example. …I don’t see any difference between a stainless steel sculpture and a work that uses found objects. It’s the same act, and they’re the same thing. Judging a work only by its material aspects often means falling into the trap of facile spectacle. …Although I’m not interested in art for art’s sake, I like working on the meaning of my pieces and placing them at a certain level in the discourse on art. …I work on the whole, on a total oeuvre. If you really examine what I do, you’ll notice that my works sometimes have different styles and appearances but speak to one another. …I really think that things are happening elsewhere today. Don’t you kind of feel as if you’ve seen everything? The phrasing is more important than the style, I believe.”

 

Inspired by Céline Piettre ow.ly/f5xoH image source laboralcentrodearte ow.ly/f5xJW

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