Ian Bunn | Political & Popular Culture Arts

Marni Halasa the British lawyer, journalist, and performance artist for Occupy Wall Street in New York City and member of Occupy’s Alternative Banking Group, a direct action and seminar group that distributes information to the public, has published an article on Huffington Post titled ‘Show Time! Tripping the Light Fantastic as a Performance Artist for Occupy Wall Street’. Halasa states “My conservative Arab father always told me I had no shame. Little did he know that my insatiable desire to exhibit and entertain as a performance artist would come in handy for Occupy Wall Street. I help the movement spread its message of the 99 percent in a somewhat unique and flamboyant way. Whether I am dressed as Marie-Antoinette, protesting against workers’ low wages in front of a Walmart in New Jersey; a police officer during an anti-police brutality march in Union Square; or a dominatrix covered in fake money in front of the Federal Reserve, I am compelled to be a living breathing costumed illustration of my own political beliefs. And mind you — all of this is done on skates. So why do I risk arrest, brave the sometimes hostile elements and lose sleep over hours of preparation? An obsessive desire for creative self-expression is the obvious reason. The other is that it is my chance to belong to an amazingly purposeful politicized community. When Occupy began, I connected with a group of people who could discuss the complexities and dynamics of wealth, power and social mobility in our society. From them I learned how bankers from HSBC laundered money for the drug cartels and avoided criminal prosecution, why the Dodd-Frank reforms do not go far enough to insure our country’s financial stability, and the reasons behind the lack of mobility for the low income. Although these people were for the most part strangers, they charmed me with their warmth, intellect, and uncanny ability to make complex information understandable. They were also keen to make a positive impact. I quickly decided I had to join the Occupy movement…”

Inspired by Marni Halasa, Huffington Post ow.ly/kuGR4 Image source Twitter ow.ly/kuGMQ

Sarah Thornton the British Canadian writer and sociologist of culture, writing principally about art, artists and the art market, has detailed a list of the top ten reasons from potentially ‘hundreds’ of reasons for her decision to quit the art market beat. Blouin Artinfo has reprinted two of the reasons, being (A) It enables manipulators to publicize the artists whose prices they spike at auction. Tightknit cabals of dealers and speculative collectors count on the fact that you will report record prices without being able to reveal the collusion behind how they were achieved. …It’s a shame when good artists’ careers are made volatile by speculation.  And (B) Oligarchs and dictators are not cool. I have no problem with rich people. (Some of my best friends are high net worth individuals!) But amongst the biggest spenders in the art market right now are people who have made their money in non-democracies with horrendous human rights records. Their expertise in rising to the top of a corrupt system gives punch to the term “filthy lucre.” However, the astronomical prices paid by these guys do have a positive trickle-down effect. When they buy a Gerhard Richter for $20m, the consignor of the painting will likely re-invest some of their profit in younger art (particularly if they are American and keen to defer capital gains tax). These Russian, Arab and Chinese collectors bring liquidity to the art world and allow more artists, curators and critics to make a living in relation to art.”

Inspired by Blouin ArtInfo ow.ly/fKgvH image source ow.ly/fKgrd

Hamid Dabashi the 63 year old Iranian-American Professor of Iranian Studies and Comparative Literature has published an article on Aljazeera titled ‘The mother of the world: The birth of Egypt’s democracy’ referencing the Egyptian election as not a ‘referendum’ on the revolution, but a step in the only direction possible: forward. Dabashi states “Analysts are asking: Has the revolution failed? …there are other historical comparisons we can make. If you want to have a simple sense of what exactly has happened in the Arab and Muslim world that we celebrate as the “Arab Spring”, just compare the Iranian Revolution of 1979 with the Egyptian Revolution of 2011 – in a span of just a little more than three decades. …The Egyptian revolution is everything that the Iranian revolution was not: calm, composed, gentle, civil, human, hopeful, principled. All the legitimate fear that all Egyptians now have for the future of their revolution is fuel for visionary progress. …Those who fear that Egyptians are not revolutionary enough, or that they are caught in a “Stockholm Syndrome” ought to ask themselves: Do they want Egypt to be thirty years from now where Iran is today – ruled by a fraudulent tyranny, violently opposed by career opportunists in cahoots with the neocons, with the vast majority of Iranians sick and tired of one and disgusted by the other?”

Inspired by Aljazeera ow.ly/c4VTh image source Facebook ow.ly/c4VSm